• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
Atlantic Books and Authors

Atlantic Books

Atlantic Books

Locate me to show me local book sellers and libraries

Locate me
Locate me
  • 0
FR
  • Home
  • Collections
    • Winter Reading
      • Winter Brain Ticklers
      • Winter Heartwarmers
      • Winter Snuggles
    • Holiday Gift Guide
      • The Gift Of Art Stories
      • The Gift Of Historical Stories
      • The Gift Of Human Stories
      • The Gift Of Literary Stories
      • The Gift Of True Stories
      • The Gift of Youthful Stories
    • VOICES
      • Indigenous Voices
      • Black Atlantic Canadian Authors and Stories
    • Time to
      • Time To Be Inspired
      • Time To Create
      • Discover
      • Time to DIY
      • Time to Escape
      • Time to Indulge
      • Time to Laugh
      • Time to Learn
      • Time to Lire en Français
      • Time to Meet
      • Time to Read Alone
      • Time to Read Together
  • Stories
  • Shop
  • About
  • Contact Us

Susan Paddon

December 14, 2017 by Norma Jean MacPhee

Good scribes pop up everywhere. However, occasionally, a certain concentration collects in a particular locale, such as Inverness County, Cape Breton.

Lynn Coady, Alistair MacLeod, Sarah Faber, Kate Beaton, Linden MacIntyre, Frank Macdonald, Tom Ryan, Rebecca Silver Slayter, Johanna Skibsrud, Oisin Curran and Susan Paddon. Just to name a few.

“It gets in your bones and in your spirit,” says acclaimed award-winning journalist and writer Linden MacIntyre.

Linden MacIntyre. Photo by Joe Passaretti

Is it the water, or the air, the landscape, the people?

“There’s an aura about the place,” says MacIntyre. Raised in Inverness and still spending his summers there, the Giller winner says it’s difficult to pin it down. “Collectively there’s a certain civility and a quiet contemplative character in Inverness that suits a person who wants to be a writer.”

MacIntyre says since he was a kid, a high social value was assigned within the community to someone who could tell a good story. “A small child realizes telling stories gets the approval of adults,” said MacIntyre. “Akin to when people play the piano or fiddle.”

Home By Choice

There’s a growing collection of creative people now living in Inverness County.

“I do think it’s the kind of place, if it grabs you by the heart it doesn’t let go,” says novelist Rebecca Silver Slayter.

The town of Inverness has a population around 1,400. If extended to all of Inverness County, the number jumps to 17,000.

Silver-Slayter moved to St. Joseph de Moine in 2010. She’s part of a cohort who studied together at Concordia in Montreal and then decided to move to Cape Breton. Some already had ties here, including Johanna Skibsrud and Sarah Faber.

“I feel I write better here than anywhere else I’ve lived,” says Silver-Slater, author of In the Land of Birdfishes.

“It’s not an easy place to live with the economy and the lack of jobs,” she acknowledges. “Those that stay are here for the love of it—with the commitment and energy to make it work.”

This same crew of writers are taking the directional helm of the successful Cabot Trail Writers Festival as it heads into its tenth year.

Silver Slayter says she’s amazed and strengthened by the audience turnout at that festival and also other writing events throughout the year. “The warmth and enthusiasm people bring, it’s quite a moving thing.”

Long-time award-winning columnist, poet, playwright and novelist, Frank Macdonald has lived in Inverness his whole life. “Well, except for that obligatory decade working away,” jokes Macdonald in his gravelly, easy-going voice.

His first two novels, A Forest for Calum and A Possible Madness were each long-listed for the Dublin Impact Award.

Macdonald says the story-telling goes back centuries, with the Gaelic culture immersed in an oral tradition. “Before writing, people gathered stories from the ‘characters’ around town, to share with others.”

Macdonald continues as a columnist for the Inverness Oran, the area’s weekly publication.

“I just love the town I live in and my ability to tell stories has been gratifying,” says Macdonald.

Despite the isolating nature of being on an island on the far east of the country, Rebecca Silver-Slater says it’s worth it. “The challenges of doing events and tours are well outweighed by the way of life here.”

Alexander MacLeodAlexander MacLeod credits immense, unwavering support of the people in the community for his writing success. “People care,” said MacLeod.

One of seven children to Alistair and Anita MacLeod, since he was born, Alexander has spent every summer in Inverness. His collection of short-stories, Light Lifting, was a finalist for the Giller Prize.

MacLeod says the Port Hood building supply store is a terrific example of the area’s dedication to writers. “There beside the bulk nails, you find Cape Breton literature for sale, in a hardware store! That doesn’t always happen.”

He says the Inverness Oran is an important fixture in supporting the craft of writing. “It’s always been a place where they respected stories.”

Frank Macdonald says he remembers receiving letters from the acclaimed short-story master and novelist, Alistair MacLeod. “He was an encouraging subscriber,” says Macdonald. “He wasn’t sending them as Alistair MacLeod the writer, but as a subscriber who appreciated a letter from home every week.”

The younger MacLeod, Alexander says that although the strong cultural fabric seems built it, others laid the foundation. “It’s been a place driven by books, culture and thoughtful stuff for a long time,” says MacLeod, citing the great thinker Moses Coady and Mi’kmaq poet Rita Joe.

Fewer Distractions and Lots of Beauty

“It depends on the person, but being here helps me focus in a way I’m not able to do in the city,” says writer Sarah Faber. Her debut novel All is Beauty Now came out this fall. “It’s so calming here. For someone like me, with a constant chatter in my brain, this is a good place to get a clearer look. There’s a certain stillness I can achieve that allows you to go inwards.”

Faber says she likes being away from the industry flutter that might accompany living in Toronto. “I’d probably be caught up around the anxiety of it all,” she laughs.

Like MacLeod, Faber came to Inverness as a kid every summer and she also spent a year there during high school. When she and her friends from Concordia were considering moving rural as a group, Inverness seemed a natural choice. Although the history of writing greats wasn’t the reason she and the others moved here, Faber says the existing support is excellent. “I always had a sense it was an artistic place, lots of music and theatre. For a relatively sparse population, there’s lots going on!”

Her husband, Oisin Curran is also a fiction writer. His second novel, Blood Fable came out in October.

Faber says Inverness’ stunning beauty—including its expansive cliffs and sandy beaches—inevitably find their way into her writing. “The descriptions of beaches in Brazil (in All is Beauty Now) are really descriptions of beaches here,” says Faber. She also appreciates the community’s commitment to the arts. “People are just so supportive, it’s lovely. It’s nice how people will come out for events, even in the dead of winter.”

It lives, breathes and thrives

“It’s just a very potent cultural space” says Alexander MacLeod. “Not necessarily glamorous, just a lot of people working regularly; and working very, very hard.”

That desire and drive to enrich their community continues to thrive.

“According to the old model, it’s hard to create employment,” says Silver-Slater. “But if at least a certain segment of people can work here, while bringing money in from elsewhere, that’s ideal.”

Like a snowball effect on a vivid, snow-swirling February afternoon; creativity breeds creativity.

“Every new person living here helps support all the rest,” says Silver-Slater. “Enabling each other. I can’t imagine living anywhere else.”

Filed Under: Features, Fiction, Web exclusives Tagged With: A Forest for Calum, Alexander MacLeod, Alistair MacLeod, All is Beauty Now, Blood Fable, Cape Breton, fiction, Frank Macdonald, In the Land of Birdfishes, Inverness, Johanna Skibsrud, Kate Beaton, Light Lifting, Linden MacIntyre, Lynn Coady, Nova Scotia, novel, Oisin Curran, Rebecca Silver Slayter, Rita Joe, Sarah Faber, short fiction, Susan Paddon, Tinker and Blue, Tom Ryan

June 8, 2015 by Kim Hart Macneill

East Coast Literary Awards 2015
The audience at the 2015 East Coast Literary Awards eagerly anticipates the announcement of the winners.

Saturday was an evening of surprises when the Writers’ Federation of Nova Scotia presented the 2015 East Coast Literary Awards in the small craft gallery at the Maritime Museum of the Atlantic in Halifax.

First up was the Evelyn Richardson Non-Fiction Award, valued at $2,000. This award has honoured books by Nova Scotians since 1978.

Kaleigh Trace, flanked on her left by John J Guiney Yallop and on her right by Award gala host Olga Milosevich.
Evelyn Richardson Non-Fiction Award winner
Kaleigh Trace, flanked on the left by John J Guiney Yallop and on right by Award gala host Olga Milosevich.

“I’m so surprised,” said winner Kaleigh Trace, author of Hot Wet, & Shaking: How I Learned To Talk About Sex (Invisible Publishing). Trace’s first book is part memoir, part feminist guide, and outlines how she learned to know her body while growing up in a society that offers a very narrow view of what sex is and who gets to enjoy it.

“I feel like choosing a book that is exclusively about sex is really brave. And thank you for reading from it. I was really nervous for you,” she said with a smile to poet John J. Guiney Yallop, who read from the three shortlisted titles, which also included Heather Sparling’s Reeling Roosters & Dancing Ducks: Celtic Mouth Music (Cape Breton University Press) and Graham Steele’s What I Learned About Politics: Inside the Rise and Collapse of Nova Scotia’s NDP Government (Nimbus Publishing).

Paddon
A very shocked Susan Paddon accepts the J.M. Abraham Poetry Award for her collection Two Tragedies in 429 Breaths (Brick Books).

Next was the J.M. Abraham Poetry Award, with Justin Kawaja reading from all three shortlisted titles. The award, which is also valued at $2,000, was created by the local writing community two decades ago.

Susan Paddon claimed this year’s prize for her collection Two Tragedies in 429 Breaths (Brick Books). The book-length series of poems is written from the point of view of a devastated and devoted daughter who is obsessively reading the great Russian writer Anton Chekhov, while tending to her dying mother. Also shortlisted for the award were Brian Bartlett for Ringing Here &There: A Nature Calendar (Fitzhenry & Whiteside) and Sylvia D. Hamilton for And I Alone Escaped To Tell You (Gaspereau Press).

Darren Greer,  author of Just Beneath My Skin (Cormorant Books) takes home the Thomas Raddall Atlantic Fiction Award.  Award gala host Olga Milosevich is to his left, author Sylvia Gunnery is to his right.
Darren Greer, author of Just Beneath My Skin (Cormorant Books) takes home the Thomas Raddall Atlantic Fiction Award. Award gala host Olga Milosevich is on the left, author Sylvia Gunnery is on the right.

The most anticipated of the awards, the Thomas Raddall Atlantic Fiction Award is one 
of Canada’s largest literary prizes at $25,000. The award was established with an endowment by Thomas Head Raddall himself to provide “the gift of time and peace of mind” essential to creative endeavours. Today the award is supported by the Raddall family. Sylvia Gunnery performed a short reading from each shortlisted title.

“I really don’t know what to say. I really didn’t expect this,” said winner Darren Greer, who penned Just Beneath My Skin (Cormorant Books). The book is a gritty, yet beautiful, portrait of a father and son, narrated by both and set in an impoverished rural Nova Scotian community. Greer was up against some heavy hitters in his category: David Adams Richards for Crimes Against My Brother (Doubleday Canada) and Michael Crummey for Sweetland (Doubleday Canada).

 

Filed Under: News Tagged With: And I Alone Escaped To Tell You, Brian Bartlett, Brick Books, Cape Breton University Press, Cormorant Books, Crimes Against My Brother, Darren Greer, David Adams Richards, Doubleday Canada, East Coast Literary Awards, Evelyn Richardson Non-Fiction Award, Fitzhenry & Whiteside, Gaspereau Press, Graham Steele, Heather Sparling, Hot Wet & Shaking How I Learned To Talk About Sex, Invisible Publishing, J.M. Abraham Poetry Award, Just Beneath My Skin, Kaleigh Trace, Michael Crummey, Nimbus Publishing, Reeling Roosters and Dancing Ducks Celtic Mouth Music, Ringing Here & There: A Nature Calendar, Susan Paddon, Sweetland, Sylvia D Hamilton, Thomas Head Raddall Atlantic Fiction Award, Two Tragedies In 429 Breaths, WFNS, What I Learned About Politics: Inside the Rise –and Collapse– of Nova Scotia’s NDP Government, Writers' Federation of Nova Scotia

May 4, 2015 by Kim Hart Macneill

Awards celebrate a diversity of regional voices in non-fiction, poetry and fiction

The Writers’ Federation of Nova Scotia released the short list for the 2015 East Coast Literary Awards this morning. These three awards celebrate and promote excellence in writing from Atlantic Canada.

The Thomas Raddall Atlantic Fiction Award, valued at $25,000, is one of  Canada’s largest literary prizes. It was established by Raddall himself and is today supported by his family. It was envisioned to provide “the gift of the and peace of mind” that is key to creating new writing. This year’s short list includes:

  • David Adams Richards (NB), Crimes Against My Brother (Doubleday Canada)
  • Michael Crummey (NL), Sweetland (Doubleday Canada)
  • Darren Greer (NS), Just Beneath My Skin (Cormorant)

The Evelyn Richardson Non-Fiction Award, valued at $2,000, was created in the early 1980s to honour the best non-fiction titles. It’s named for Evelyn Richardson, who in 1945 won the Governor General’s Non-Fiction Award for We Keep A Light, her memoir of life in a family of lighthouse keepers in Shelburne County. This year’s short list includes:

  • Heather Sparling (NS), Reeling Roosters & Dancing Ducks: Celtic Mouth Music (Cape Breton University Press)
  • Graham Steele (NS), What I Learned About Politics: Inside the Rise and Collapse of Nova Scotia’s NDP Government (Nimbus Publishing)
  • Kaleigh Trace (NS), Hot, Wet, & Shaking: How I Learned To Talk About Sex (Invisible Publishing)

The J.M. Abraham Poetry Award, valued at $2,000, was created by the local writing community two decades ago. This year’s short list includes:

  • Brian Bartlett (NS), Ringing Here & There: A Nature Calendar (Fitzhenry & Whiteside)
  • Sylvia D. Hamilton (NS), And I Alone Escaped To Tell You (Gaspereau Press)
  • Susan Paddon (NS), Two Tragedies in 429 Breaths (Brick Books)

The awards jurors reviewed 62 submitted titles by writers from all four provinces to select the nine finalists. Each year, the East Coast Literary Awards introduces local, national and international readers to remarkable works written by Atlantic Canadians.

Full details of shortlisted titles and writers will be available tomorrow on the WFNS website, and winners will be announced at the East Coast Literary Awards presentation in Halifax on June 6, following a series of readings celebrating the shortlisted writers.

The Writers’ Federation of Nova Scotia was established in 1976 to provide advice and assistance to writers at all stages of their careers, encourage greater public recognition of writers and their achievements, and enhance the literary arts in our regional and national culture.

Filed Under: News Tagged With: And I Alone Escaped To Tell You, Brian Bartlett, Brick Books, Cape Breton University Press, Cormorant Books, Crimes Against My Brother, Darren Greer, David Adams Richards, Doubleday Canada, East Coast Literary Awards, Evelyn Richardson Non-Fiction Award, Fitzhenry & Whiteside, Gaspereau Press, Graham Steele, Heather Sparling, Hot Wet & Shaking How I Learned To Talk About Sex, Invisible Publishing, J.M. Abraham Poetry Award, Just Beneath My Skin, Kaleigh Trace, Michael Crummey, Nimbus Publishing, Reeling Roosters and Dancing Ducks Celtic Mouth Music, Ringing Here & There: A Nature Calendar, Susan Paddon, Sweetland, Sylvia D Hamilton, Thomas Head Raddall Atlantic Fiction Award, Two Tragedies In 429 Breaths, WFNS, What I Learned About Politics: Inside the Rise –and Collapse– of Nova Scotia’s NDP Government, Writers' Federation of Nova Scotia

December 10, 2014 by Shannon Webb-Campbell

Two-Tragedies-in-429-BreathsLoss isn’t liminal; it’s omnipresent. Every exhale is a small death. Margaree, NS poet Susan Paddon examines grief with grace and heart in Two Tragedies in 429 Breaths, a book-length series of poems written by a devastated and devoted daughter who obsessively reads the great Russian writer Anton Chekhov, while tending to her mother, who is dying of pulmonary fibrosis.

In the poem, “That Old Season,” Paddon writes, grief-stricken, almost as if to give direction on how to live after incomprehensible loss: “Yes, I will get better and throw myself into things. I will, on occasion, take pills to breathe.”

While the Chekhov family and the poet chart the lagoon of death, there is a unity in their respective grieving. It is within poetry; there is comfort –a landmass to cling to. Paddon’s debut is both deeply tragic, and profoundly poetic, a testament to life and death as one equal force.

Two Tragedies In 429 Breaths
By Susan Paddon
$20.00, paperback, 96 pp.
Brick Books, August 2014

Filed Under: #77 Holiday/History, Poetry, Reviews Tagged With: Brick Books, Margaree, Nova Scotia, Poetry, Susan Paddon, Two Tragedies In 429 Breaths

Primary Sidebar

Our Latest Edition

Fall 2020

DISCOVER

Get Our Newsletters

Sign up to the Read Atlantic newsletters

Subscribe to one or all three of our carefully curated newsletters: Atlantic Books, Fiction and Poetry.

SUBSCRIBE

Footer

Atlantic Books

AtlanticBooks.ca is your source for Atlantic Canadian books. Stay up to date with the latest books news, feature stories, and reviews, and browse our catalogue of local books where you can download samples, borrow digital books from your local library, or purchase them through local book sellers or publishers.

Facebook
Twitter

#ReadAtlantic

Atlantic Books is part of the #ReadAtlantic community, which brings together Atlantic Canadian authors, bookstores, publishers, libraries, readers, literary festivals, and more. We encourage you to use this hashtag to promote all the ways we can support the local literary landscape in Atlantic Canada.

 

Useful Links

  • Subscribe to Atlantic Books newsletters
  • Find Your Atlantic Book Seller
  • Find Your Atlantic Public Library
  • Terms of Service
  • Return Policy
  • Privacy Policy
  • About us
  • Contact Us
  • My Account
  • My wishlist

With Thanks

We acknowledge the support of the Canada Council for the Arts and the Government of Canada through the Canada Book Fund for this project, as well as the Province of Nova Scotia’s Department of Communities, Culture and Heritage.

Copyright © 2021 · Atlantic Books All Rights Reserved

  • Subscribe to Atlantic Books newsletters
  • Find Your Atlantic Book Seller
  • Find Your Atlantic Public Library
  • Terms of Service
  • Return Policy
  • Privacy Policy
  • About us
  • Contact Us
  • My Account
  • My wishlist