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Anne of Green Gables

December 1, 2018 by Atlantic Books Today

This weekend, our Book Lovers’ Holiday Gift Guide Saturday Spotlight is on Books for Young Readers! These gift ideas for young (and young at heart!) readers and many more can be found in our Book Lovers’ Holiday Gift Guide. A list of participating retailers can be found here.

 

Children’s Picture Books

A Giant Man in a Tiny Town
Tom Ryan/Christopher Hoyt
Nimbus Publishing

This is the story of the “giant” Angus MacAskill who traveled the world performing for crowds but never stopped longing to return to the place he loved the best: his Cape Breton home.

 

A Halifax Time-Travelling Tune 
Jan Coates/Marijke Simons
Nimbus Publishing

This dreamy, lyrical story follows a young child and his dog who travel back in time to 1950s Halifax with a whimsical tune. Follow the pair through Halifax landmarks, showing off all the sights and sounds of the city.

 

A Toot in the Tub
Nicolette Little/Tara Fleming
Pennywell Books

Offers a lighthearted rhymed look at “healthful release” for kids, while upholding the importance of being kind to others!

 

Be a City Nature Detective
Peggy Kochanoff
Nimbus Publishing

Why are some grey squirrels black? Does goldenrod cause hay fever? Naturalist and artist Peggy Kochanoff answers these questions and more in this illustrated guide to solving nature mysteries in the city.

 

EveryBody’s Different on EveryBody Street
Sheree Fitch/Emma FitzGerald
Nimbus Publishing

Sheree Fitch’s playful words invite you to celebrate our gifts, our weaknesses, our differences, and our sameness. Fitch’s quick, rollicking rhymes are complemented by Emma FitzGerald’s lively illustrations.

 

Follow the Goose Butt to Nova Scotia
Odette Barr/Colleen Landry/Beth Weatherbee
Chocolate River Publishing

Cameila Airhart, the loveable Canadian goose with the faulty Goose Positioning System is off on an adventure to Nova Scotia. She has promised to follow the goose butt, but will she stay focused long enough to keep her promise?

 

My First Book of Canadian Birds
Andrea Miller/Angela Doak
Nimbus Publishing

Simple, gentle text gives readers a peek into the habitats of Canadian birds and introduces child and parent to fun facts about everything from bird sounds to egg sizes!

 

Night at the Gardens
Nicole DeLorey/Janet Solet
New World Publishing

What really happens in the Public Gardens after dark? Statues “come alive” and one night Fountain Nymphs convince Juan Swans to fly to the ocean—chaos! Robbie Burns helps, but is it enough?

 

Santa Never Brings me a Banjo
David Myles/Murray Bain
Nimbus Publishing

Based on the beloved holiday song, follow the ups and downs of the holiday season with David, his furry friends, and his family, as he pines for his most-wished-for holiday gift.

 

Summer in the Land of Anne
Elizabeth Epperly/Carolyn Epperly
Acorn Press

Told through the eyes of a family travelling to PEI, this is a celebration of the books we love and all the ways they inspire us.

The Lady From Kent: A Story for Girls
and Bees Dressed Up As Fleas and Crocodiles. Also Elves.
Barbara Nichol/Bill Pechet
Pedlar Press

“Barbara Nichol is an original—brilliant and entertaining…a book to read and reread and then read again, to yourself or out loud, depending on how generous you’re feeling.”  —Eleanor Wachtel


Time for Bed
Carol McDougall/Shanda LaRamee-Jones
Nimbus Publishing

A fun and simple step-by-step bedtime story for babies and toddlers. From bathtime to storytime, this book guides families through a healthy nightly routine with simple text and joyful photos.

 

You Make Me Happy
Doretta Groenendyk
Acorn Press

Whether it be sitting by the fire, reading in the bath or travelling, this book explores the importance of finding happiness all around you.

 

Indigenous Stories

Counting in Mi’kmaw / Mawkiljemk Mi’kmawiktuk
Loretta Gould
Nimbus Publishing

Counting from one to ten in English and Mi’kmaw, young readers will be introduced to both the ancestral language of Mi’kmaki and to Mi’kmaw culture and legend, through beautifully rendered illustrations of the natural world.

 

IKWE Honouring Women: An Indigenous Colouring Book
for Adults and Children
Jackie Traverse
Roseway Publishing

IKWE is a new colouring book by Anishinaabe artist Jackie Traverse. The stunning images celebrate the spiritual and ceremonial aspects of women and their important roles as water protectors.

 

Mi’kmaw Animals / Mi’kmaw Waisisk 
Alan Syliboy
Nimbus Publishing

Colourful images depicting Canadian animals like moose, whales, and caribou, and more make this vibrant book a perfect introduction to the Mi’kmaw language.

 

The Gathering
Theresa Meuse/Arthur Stevens
Nimbus Publishing

A young Mi’kmaw girl attends her first spiritual gathering in this vibrant picture book from the team behind the bestselling The Sharing Circle.

 

Une Journée Poney ! Pemkiskahk’ciw Ahasis ! A Pony Day !
Hélène De Varennes/Opolahsomuwehs (Imelda Perley)/Paul Lang
Bouton d’or Acadie

Both bursting with laughter, a grandpa takes his granddaughter Josephine on her first pony ride. Many surprises are awaiting her!

 

Fiction for Young Readers

Dylan Maples Adventures

The Mystery of Ireland’s Eye
Shane Peacock
Nimbus Publishing

Dylan is going kayaking to the island of Ireland’s eye off the coast of Newfoundland to see the ghost town. Why does an old man on the dock of St. John’s tell him to beware?

The Secret of The Silver Mines
Shane Peacock
Nimbus Publishing

A Toronto millionaire has hired Dylan’s dad to retrieve a fortune in silver allegedly stolen from his grandfather years ago. But was the fortune really stolen? And if so, where has it been hidden?

Bone Beds of the Badlands
Shane Peacock
Nimbus Publishing

Bone Beds of the Badlands transports readers to the heart of dinosaur country in Alberta, in the most gripping and terrifying Dylan Maples Adventure yet.

 

Secrets of Sable Island
Marcia Pierce Harding
Nimbus Publishing

Shipwrecked on Sable Island, Caleb befriends the ghostly girl who rides bareback over the dunes, and realizes that he must do whatever he can to save her, and himself.

 

Headliner
Susan White
Acorn Press

This stunning new middle grade novel by Ann Connor Brimer Award-wining author Susan White deals with the aftermath of a tragic accident and its effect on the surviving family.

 

Piper
Jacqueline Halsey
Nimbus Publishing

Dougal Cameron and his family sail from Scotland aboard the Hector, on their way to Nova Scotia. When a violent storm knocks the ship off course, Dougal must fight to stay alive.

 

Rika’s Shepherd
Orysia Dawydiak
Acorn Press

This action-packed adventure by Hackmatack-nominated author Orysia Dawydiak tells the struggles of a young shepherd and will delight any young reader.

 

Fiction for Teens

The Goodbye Girls
Lisa Harrington
Nimbus Publishing

Lizzie and her friend Willa devise a genius business – personalized breakup baskets for her classmates. Then things go horribly wrong and soon family, friendship, and a budding romance are on the line.

 

Worthy of Love
Andre Fenton
Formac Publishing

Halifax slam poet Andre Fenton’s vivid and readable novel for teens.

 

 

Nonfiction

100 Things You Don’t Know About Atlantic Canada (For Kids)
Sarah Sawler
Nimbus Publishing

The author of the bestselling 100 Things You Don’t Know About Nova Scotia has collected the most interesting, most surprising, and bizarre facts that you never know about Atlantic Canada, just for kids.

 

50 Things to See with a Telescope: A young stargazer’s guide
John A. Read
Formac Publishing

A new guide for anyone who’s looking at the heavens and wonders what they’re seeing.

 

Be Prepared!
Frankie MacDonald and Sarah Sawler
Nimbus Publishing

Nova Scotia’s favourite weather reporter, Frankie MacDonald, along with author Sarah Sawler, shares stories from Frankie’s early years, along with facts about all things sunny, rainy, snowy, and stormy.

 

Black Women Who Dared
Naomi M. Moyer
Second Story Press

Inspirational stories of ten Black women and women’s collectives—anti-slavery activists, business women, health-care activists, civic organizers and educators. Remarkable women whose stories will fascinate and educate.

 

Hope Blooms 
Hope Blooms
Nimbus Publishing

The inspiring story of Dragons’ Den darlings Hope Blooms: a Halifax-based, youth-driven social enterprise focused on growing sustainable, healthy food and youth mentorship.

 

My River: Cleaning Up the LaHave River
Stella Bowles and Anne Laurel Carter
Formac Publishing

Kids who care about the environment will love Stella’s story of her science project on the dirty LaHave River that brought real change.

 

There be Pirates!
Joann Hamilton-Barry
Nimbus Publishing

Learn about what everyday life was like for some of the fiercest pirates of all time. Explore the history of piracy, from the ancient Romans and Greeks to modern-day pirates.

 

See more gift ideas in our Book Lovers’ Holiday Gift Guide! View it online here or pick it up at your local bookstore or library.

Don’t forget to check out last week’s spotlight on Art, Poetry, and Music books for the art-lovers on your list!

Filed Under: News, Uncategorized Tagged With: Acorn Press, Alan Syliboy, Andre Fenton, Andrea Miller, Angela Doak, Anne Laurel Carter, Anne of Green Gables, Arthur Stevens, Barbara Nichol, Beth Weatherbee, Bill Pechet, Book Lovers' Holiday Gift Guide, Bouton d’or Acadie, Carol McDougall, Carolyn Epperly, Chocolate River Publishing, Christopher Hoyt, Colleen Landry, David Myles, Doretta Groenendyk, Eleanor Wachtel, Elizabeth Epperly, Emma Fitzgerald, Fernwood Publishing, Flanker Press, Formac Publishing, Frankie MacDonald, Gift Ideas, Helene deVarennes, holiday, Holiday Gift Guide, Hope Blooms, Imelda Perley, Jackie Traverse, Jacqueline Halsey, Jan Coates, Joann Hamilton-Barry, John A. Read, Lisa Harrington, Loretta Gould, Marcia Pierce Harding, Marijke Simon, Murray Bain, Naomi M. Moyer, New World Publishing, Nicolette Little, Night At The Gardens, Nimbus Publishing, Odette Barr, Opolahsomuwehs, Orysia Dawydiak, Paul Lang, Peggy Kochanoff, Pennywell Books, Roseway Publishing, Sarah Sawler, Second Story Press, Shanda LaRamee-Jones, Shane Peacock, Sheree Fitch, Stella Bowles, Susan White, Tara Fleming, Theresa Meuse, Tom Ryan

November 19, 2018 by Evelyn C. White

Big Island, Small
Maureen St. Clair
Roseway Publishing

It’s been four decades since African-American writer Barbara Smith raised eyebrows with her reading of an early work by a future Nobel Laureate in Literature. In “Toward A Black Feminist Criticism” (1977), Smith examined Toni Morrison’s novel Sula (1973), noting that the title character and her childhood friend Nel maintain a relationship that “from the very beginning, is suffused with an erotic romanticism. … The ‘real world’ of patriarchy requires, however, that they channel this energy away from each other into the opposite sex.”

“There is no homosexuality in Sula,” Morrison later summarily declared.

Canadian scholar Laura Robinson prompted a similar reaction with “Bosom Friends: Lesbian Desire in L.M. Montgomery’s ‘Anne’ Books,” a paper she delivered at a 2000 gathering of academics in Alberta. Offering an interpretation that rattled Montgomery experts, Robinson ventured that the fictional Anne Shirley lusted after female friends such as Diana Barry and Leslie Moore (characters in the iconic Anne of Green Gables and Anne’s House of Dreams, respectively).

“Montgomery’s texts subtly challenge compulsory heterosexuality by drawing attention to the unfulfilled and unacceptable nature of women’s love for women,” Robinson noted. “Because Anne’s various expressions of lesbian desires emerge but are not engaged, they draw attention to what is excluded, what cannot be said to be, in Anne’s world.”

I was mindful of the controversy surrounding Smith and Robinson’s work (the latter garnered the author hate mail) while reading Big Island, Small, the debut novel by Maureen St. Clair, who lives in Nova Scotia and Grenada. The absorbing volume chronicles the bond between Sola, a young Black woman, and Judith, a fair-skinned, bi-racial woman who wears dreadlocks. After attending a summer music festival in an unnamed city (“kind of cold that make people miserable”), the women discover their common roots in a small community in the Caribbean.

Rendered in the lilting patois of both women (in alternating chapters), the narrative ushers readers into a world of joy, risk, sacrifice, hope and grief. Here, Judith imagines the skepticism she evoked when Sola first spotted her grooving to a reggae beat. “She watching not with care but with judgment…I know those kinda eyes, that kinda stare—the stare of people wondering what this white woman doing dreading up she hair, trying to be more Black than white.”

By chance, the women meet the next day. Attracted (if warily) to each other, they attend another festival performance. En route home, they kiss under a star-filled sky. “I don’t want [Judith] to stop,” Sola remembers. “…We kiss leaning up against a fence.”

The embrace transports Sola back to her childhood on the tropical isle. “Wet grass touching bare skin, cool breeze blowing…sea licking ankles, begging me to walk farther out, dunk my head and swim.”

The tender moment is interrupted when a gaggle of children flinging stones and expletives exhort the women to “get a man.”

Emblematic of the race, class, skin-colour bias, gender violence and emigrant motifs that course through the novel, Sola is unnerved by the incident that Judith appears to take in stride. “I just suck my teeth when I realized [the children] yelling down at us,” Judith muses. “But Sola she shove me away like she realize I woman not man. …I can’t understand how Sola afraid. And then I start to think what if she shame …cause she think kissing women criminal. I start to wonder if she think I criminal.”

Sola and Judith mend the divide and go on to develop a nurturing friendship that enables them to better cope with the difficulties (past and present) in their lives. Perhaps not surprisingly (these days) in a novel that includes flashbacks to the formative years of girls, the spectre of sexual misconduct looms large.

Here, Sola mines a childhood memory: “I was…busy…dreaming about the new bicycle Mr. Robbie say his wife was going to send me. …He said Mrs. Robbie was grateful I was spending so much time…keeping him company while she and the kids were away.”

As with the “bosom friends” crafted by Lucy Maud Montgomery and Morrison’s Sula and Nel, Judith and Sola provide sanctuary for each other. Kudos to Maureen St. Clair for a heartfelt (if at times wordy) contribution to queer and questioning literature infused with a calypso flair.

Filed Under: # 87 Fall 2018, Editions, Fiction, Reviews Tagged With: Anne of Green Gables, Barbara Smith, Beacon Award, Big Island Small, Canada, fiction, Grenada, LM Montgomery, Love, Maureen St. Clair, Nova Scotia, novel, queer, Queer and Questioning, Queer Literature, Roseway Publishing, Sexual Assault, sisterhood, Sola, Toni Morrison

November 15, 2018 by Lisa Doucet

Summer in the Land of Anne
Elizabeth R Epperly, illustrated by Carolyn M Epperly
Acorn Press
(Ages 5 to 11)

When Mama tells Elspeth they are going on a vacation, she is thrilled and rushes to share the news with her older sister, Willa. But why, the girls wonder, is Mama being so secretive about where they are going?

They know it has something to do with the special book she is going to read to them later that night. When the book turns out to be Anne of Green Gables, it doesn’t take long for Elspeth to deduce that they are going to Prince Edward Island.

anne of green gablesWhen they get to Cavendish, Elspeth is filled with awe as they visit all the places that were so important to Anne and to LM Montgomery, the author of Anne of Green Gables. In the core of her six-year-old being, Elspeth knows that she herself is really Anne and these places feel like they are her real, true home. But she is deeply saddened when she discovers that the house where LM Montgomery once lived has been torn down.

As Mama and the girls talk about Montgomery and her writing, Elspeth discovers a new source of inspiration. Now she knows that she isn’t really Anne, she is “Elspeth of Cavendish, the famous writer.”

The Epperly sisters have created a delightful new addition to the body of literature that is inspired by, and pays homage to, Montgomery’s much-loved heroine. Elizabeth Epperly, herself a long-time resident of PEI, renders Elspeth’s enthusiasm and passion, the relationship between the two sisters and the profound effect that this visit has on all three of them with great sensitivity. She is keenly aware of the deep connection that so many visitors to the Island feel to Anne and to Montgomery and she ably depicts that in Elspeth.

Many young readers will relate to Elspeth’s feelings and her belief that somehow this shared experience is still deeply personal and belongs just to her. This is truly part of Montgomery’s gift and her ongoing legacy, and the Epperlys portray it beautifully here.

Carolyn Epperly’s exquisite watercolour illustrations perfectly evoke the magnificent pastoral landscapes of the island and bring to life the sacred LMM sites. Her jewel-toned illustrations are infused with light and evince a sense of reverence.

This heartfelt ode to Anne and LMM will speak to the hearts of countless readers and will undoubtedly serve as a cherished keepsake for many who will find in Elspeth a “kindred spirit.”

Filed Under: # 87 Fall 2018, Editions, Fiction, Reviews, Young Readers Reviews Tagged With: Acorn Press, Ages 5-11, Anne of Green Gables, Carolyn M Epperly, Elizabeth R Epperly, Kindred Spirit, LM Montgomery, Picture Books, Prince Edward Island, Summer in the Land of Anne, young readers

June 7, 2018 by Sara Jewell

Photo by Sarah Baker-Forward

Walls lined with shelves of books. A pair of comfortable armchairs tucked into a reading nook. A cat dozing on a table display of spring-themed books, the sound of a dog’s toenails skittering on the wood floor as it greets a visitor who has just stepped through the door. Reading socks and book bags; scented candles and mugs.

Stop—you had me at books.

No matter how large or small, there is nothing more satisfying to a reader than a bookstore. And despite those who declared, “Books—and bookstores—are dead,” there is nothing more gratifying than the fact the retail book industry is stronger than ever. The national Indigo chain posted growth and profits last year, publishers are increasing their output of books and independent bookstores are opening up in the most unlikely, yet inspired, places.

“We knew we were taking a chance,” says Alice Burdick of Lunenburg’s Lexicon Books, one of several independent bookstores that have opened in Atlantic Canada since 2014. “There were people coming into the store saying ‘Are you crazy?’ but we paid attention to trends in North America and the trend of three years ago, which continues to strengthen, is that independents are on the rise.”

Ellen Pickle might argue that’s always been the trend. She has put her faith in the staying power of books since opening Tidewater Books (now Books and Browsery) in Sackville, New Brunswick, in 1995.

“The sky has been falling since the day I opened the doors,” she says with a chuckle. “A lot of people thought they saw the writing on the wall but books have such value, people keep coming back to them.”

From experience, she believes if a bookstore can ride out the ebbs and flows of industry flux, it will be fine.

Perhaps it was the ebb and flow of the river running past her rural property in River John, Nova Scotia, that inspired author Sheree Fitch to become the newbie to the Atlantic Canadian bookstore scene.

“We didn’t have money to pay rent and we knew there had to be more than books to bring people out of their way,” she says of the decision to turn an old outbuilding into a bookstore. “That’s the reason we decided to be seasonal and why we integrated the sense of nature and books and reading.”

While she admits her motivation for opening Mable Murple’s Book Shoppe and Dreamery was to bring something back to a community that had lost so much—including its elementary school—she also wanted to create an experience for visitors. She brought Maple Murple’s famous literary house to life in a separate building alongside a barn, pasture and chicken coop.

Of the success of her first season in 2017, Fitch says, “People came and usually stayed an hour. Some stayed half a day. The picnic tables were well used. We discovered people like the idea of coming, browsing and lingering. So it was an experience as much as it was a bookstore.”

The inside of Sheree Fitch’s imagination, photo by Sarah Baker-Forward

Fitch sees this as fitting in with an emerging industry. “From Anne of Green Gables to all the festivals we have, I think Atlantic Canada is developing a literary tourism industry. I’m part of that and I’m pushing that.”

While they didn’t deliberately set out to create a destination bookstore, Gael Watson and Andra White took advantage of existing infrastructure when they jumped at the opportunity presented by a space opening up in the historic outfitters building along the LaHave River in southwest Nova Scotia. Watson has owned and operated LaHave Bakery in the building for 30 years; White does the bakery’s bookkeeping. The two simply expanded their business partnership.

“Our expectations weren’t huge,” White says. “We weren’t desperate for the money as much as just having a place where people could come and buy books. As a result, it’s been better than we expected.”

White admits that the presence of a popular bakery, an already established community hub in a beautiful stopping spot, benefits the bookstore. But, she adds, “I think we were surprised by how supportive the community is. And by how much we love being in the bookstore.”

If anyone knows how hard it is to resist the siren call of owning a bookstore, it’s Matt Howse of Newfoundland. On the cusp of turning thirty and wanting to plant potatoes in the fall and pick them in the spring, Howse decided to give up the life of an itinerant teacher (he taught for six years in four different communities) and fulfill a 10-year desire to work in a bookstore. He settled in St. John’s and opened Broken Books on Duckworth Street in 2014.

He now admits owning a bookstore isn’t as idyllic as he thought it would be. “I feel like working in a bookstore is much more fun than actually owning one,” he says with a laugh. “I spend half my time on the phone and the internet, talking to people, dealing with publishers and publicists and the government.”

That didn’t stop him from jumping at the chance to expand into a larger space a few doors down earlier this year. “Since we’ve moved, we’ve seen an increase in foot traffic. We have more space, more chairs, and we still have the chess board.”

Ask any independent bookseller, however, what brings them the greatest joy and they’ll say it’s the chance to curate a unique collection of books. “For me, part the appeal is that visitors are getting Atlantic-focused books curated by somebody who studied children’s literature and is a book maniac,” says Fitch of her book shoppe and dreamery.

Andra White in LaHave says she and her business partner simply pick books they like. “Some of them are classics, a lot are Canadian and local, and we have a big non-fiction section.”

Or if you’re Julien Cormier, a lifelong resident of northern New Brunswick, it’s the joy of offering books at all. Growing up in Shippagan, on the Acadian Peninsula, Cormier loved to read but there was no place to buy books. After living in Montreal as a young man, he returned to his hometown and in 1989, opened Librairie Pelagie, selling French-language books.

“That’s what I’m proud of,” he says after nearly three decades in business. “I offer to the people around here what I didn’t have when I was a child. For almost 30 years, they have that. For me, that’s a big achievement.”

In 2005, Cormier expanded to nearby Caraquet, where the bookstore benefits from being attached to a popular cafe/bistro, and then to Bathurst in 2011, where the cottage-like store is located in a quaint boardwalk-style strip. He says they are fighting every day to keep the three stores open but he credits book sales to schools and the annual book fair, held in Shippagan every October since 2003, for keeping them competitive.

Creating a steady source of income is a priority for every independent bookseller, especially in a region with a considerable seasonal economy. “The biggest challenge is maintaining the store over the course of a year,” admits Alice Burdick of Lexicon Books. “The South Shore, like so many places everywhere, is deeply seasonal. We knew this coming into it so we had a plan but it’s still a challenge maintaining an acceptable level of sales in the winter months.”

Ellen Pickle has kept costs down at Tidewater Books and Browsery for 23 years by doing her own accounting. “You have to know where you stand at any given point,” she says. It’s one of the reasons she doesn’t discount her books outside customer appreciation days. “I think they’re too important to do that, and there’s not enough [profit] margin to keep your business viable if you do.”

The high cost of rent and online retailers are the biggest challenges to “indies,” particularly if sales decline considerably during the winter. Creative strategies for keeping the community engaged and devoted are key for an independent bookstore’s success.

Lexicon Books and suddenlyLISTEN Music (a multidisciplinary presenter of improvised, adventurous music) cohost evenings of words and music, while Tidewater’s Ellen Pickle has turned a third of her bookstore into a “browser” featuring the work of local artisans. Matt Howse offers up a chess table; Sheree Fitch has donkeys and Andra White offers cake. “Everyone can count on having a piece of homemade cake when they show up to an author book signing.” White says she’s thinking of the writer as she decides whether chocolate or blueberry-zucchini or carrot cake is called for.

Matt Howse of Broken Books

This is why Howse in St. John’s, along with others, see the bookstore-as-hangout as the future of independent bookstores, because they can offer something that online retailers cannot. “The future of bookselling is creating community, creating space,” Howse explains. “It’s really important for us as booksellers to fill this void of third space, a place you can go to that’s not home and not work but a place to hang out and be social. I think it’s important for us to stay open a few nights a week and have lectures and poetry readings and live music.”

Anyone daring enough to open a bookstore does it not to be trendy but to be happy, and to share that happiness with others. After all, consider the added benefits of owning a bookstore of one’s own: curating a particular selection of books, providing a hospitable space for hanging out, supporting the local writing community and, of course, meeting diverse and interesting readers.

What every independent seller of books and gifts has in common is the feeling that the bookstore is their “happy place.”

“I love coming to work,” says Alice Burdick. “When someone comes in that door, they visibly brighten up. People relax; you can see their shoulders drop as they get into the zone. It’s such a pleasure to see how much people enjoy being in here.”

Filed Under: # 86 Spring 2018, Editions, Features Tagged With: Alice Burdick, Anne of Green Gables, Booksellers, Bookstores, Broken Books, Independents, LaHave Books, Lexicon Books, LIbrairie Pelagie, Mable Murple, New Brunswick, Newfoundland, Newfoundland and Labrador, Nova Scotia, Retail, Sheree Fitch, Tidewater Books, Trends

December 1, 2017 by Sarah Sawler

Before moving to New York to pursue a dream job in book design, illustrator Siobhán Gallagher spent four years earning a Bachelor of Design from the Nova Scotia College of Art and Design and working as a bookseller at Bookmark on Spring Garden Road in Halifax. And on December 7  her latest work, the cover for a new edition of Anne of Green Gables, will be celebrated in Halifax.

This book cover is the latest in a lifelong artistic journey that really started taking off when Gallagher was young. “I was obsessed with whales from the age of seven to eleven, so I mostly drew a variety of different types of whales and dolphins that I loved,” she says. “I’d tape them to my walls. I was always drawing.”

The urge to draw never eased up. As she got older, Gallagher constantly looked for ways to incorporate drawing into her schoolwork, particularly in her English classes. “There was one project in high school where I turned John Irving’s book The World According to Garp into a children’s storybook,” she says. “Drawing is the best way I can tell a story. With The World According to Garp, I thought that was a funny project to take on because that book is very dark and serious.” But she loved the characters, so she found a way to summarize the story in 12 pages.

She took the same approach when she started at NSCAD. “I was in a design program that was heavily focused on typography and layout design, but any opportunity I had to work in illustration, I took it,” she says. “I really milked it. You could tell that I was really into any
moment I could work in illustration.” At one point, while working on an assignment that involved drawing a series of illustrations, she got so carried away that she illustrated an entire deck of cards.

“It was entirely just for fun,” she says. “I could have stopped at just the Queens or something, but I did the whole thing. You get what you put into it.”

And Gallagher certainly put a lot into learning illustration, taking every illustration class her program offered and spending a semester at the University of the Arts in Philadelphia, which she says has “an amazing illustration program.” While she was in Philadelphia, she discovered that her style is actually a perfect blend of graphic design and illustration. “The entire graphic design program was like, ‘Woah, your work is so illustrative,’ and in my illustration classes, everyone was like, ‘Oh, your work is so graphic,’” she laughs. “I just sort of played to my strength. When everyone else was doing typography, I was like, ‘Let me draw some faces.’”

Then she moved to New York. Now, she’s a senior designer at Abrams Books, but when she first arrived, she worked as an intern and then as a junior designer for Penguin Group USA. She spent her days working nine to five at Penguin and then went home to draw some more. “I do a lit of zine and comic stuff in New York,” she says. “The very first zine I did was called Contain Yourself and I did another one last year called Contain Yourself 2. That was a 40-page, self-published zine and I feel like it’s the best example of how my brain works. It was a very simple sketchbook project where I started drawing a bunch of unrelated icons and quotes and all the things going on in my head, and I would draw them all to fit in the shape of a circle. It is literally a stream-of- consciousness drawing collection.”

Shortly after Gallagher published her first zine, she was contacted by a literary agent. But it was also Gallagher’s “after-work for-fun work” that caught the attention of creative director Paul Buckley, who Gallagher had worked with at Penguin. “It was so dreamy,” says Gallagher. “Once I started drawing things for fun and doing things on my own time, that was when I got more notice. [Buckley] follows me on Instagram and he knows what I do for fun. So, he asked me if I’d read Anne of Green Gables and I was like ‘Yes, many a time. Multiple book reports.’

“Then he asked me to do the cover because he said my work had a folk-art quality. Because I’m familiar with the text and I draw redhead girls for fun anyway, it really all clicked together perfectly.”

Now, Gallagher says she’s still in awe she’s “someone with a book on the shelf instead of someone who is stocking the shelves.” When she was working at Bookmark and going to NSCAD, she was constantly distracted by book covers—especially those created by Jim Tierney.

“When I was at NSCAD, he had just graduated from the university of Philadelphia. I could just spot his book covers immediately,” says Gallagher. “I would always face his books forward because his book covers are so beautiful. And last year, at my day job at Abrams Books, I hired him to do a book cover for a book I was working on. It’s so odd how it comes full circle. I was stocking shelves with the book he designed and now I’ve hired him. It’s so surreal.”

Filed Under: Columns, columns-origin-stories Tagged With: Anne of Green Gables, art, Bookmark, Halifax, illustration, John Irving, Lucy Maud Montgomery, Nova Scotia, picture book, Prince Edward Island, Siobhán Gallagher, young readers

October 25, 2017 by Jo-Anne Elder

In 2015-2016, the Canada Council for the Arts subsidized160 translations and a small number of other translations are published in Canada. Over time, more publishers have become involved in translation and the selection of books has changed: in the 1960s and 70s, more books were translated from French to English; later, nearly twice as many English books, especially non-fiction and bestsellers, were translated in Québec; now the English to French ratio is about 2:3.

Through it all, few Atlantic Canadian English-speaking writers–even fewer poets and children’s writers–have had their books translated. Translations of New Brunswick’s Acadian literature, in particular books by the iconic Antonine Maillet and Herménégilde Chiasson, have tipped the balance towards English translations, thanks in great part to Goose Lane’s commitment to providing Anglophone readers with an opportunity to know Acadie’s culture and literature.

Recently, two Atlantic publishers, Bouton d’or Acadie and Nimbus Publishing, have shown an exciting interest in publishing translations, companion volumes and bilingual/trilingual texts of some of Atlantic Canada’s finest children’s writing. These efforts to reach readers in French and English—and sometimes Mi’kmaw and other languages—are to be applauded.

Since 1990, the annual Éloize awards honour Acadian artists in several categories. In 2016, the Éloize prize for Support for Arts Production went to Bouton d’or Acadie, the only francophone publishing house in Canada entirely dedicated to children’s literature. The award recognized Bouton d’or’s innovative and dynamic contribution to literature and to the careers of its authors and illustrators. The quality of Bouton d’or Acadie’s publications is exceptional. Among its distinctions is the “Wabanaki” collection of picture books with French, English and Mi’kmaw text, based on First Nations stories. Another book includes a text in French, English and Spanish.

Written by Michel Bourque and illustrated by Jean-Luc Trudel, Rideau rouge et pignons verts: L’Histoire vraie de Gracie et Glenda and Meet Me at Green Gables: The True Story of Gracie & Glenda, are brand new publications by Bouton d’or Acadie. Michel Bourque, who grew up in Cocagne and now lives in Charlottetown, shares the delightful story of Gracie Finley and Glenda Landry, two girls from PEI who take dance classes and singing lessons and dream of performing on a real stage. When a big new theatre is built in Charlottetown Gracie and Glenda, who have not yet met, each imagine the shows they will be able to see. They are invited to audition for Anne of Green Gables and are cast in the roles of Anne and Diana. Like the girls they play, Gracie and Glenda find they are “kindred spirits.”

The book celebrates not only the legacy of Anne of Green Gables, but also the history of the Confederation Centre for the Arts, where the companion books were launched on July 5. Lucy Maud Montgomery’s world-renowned and much-loved book has been translated into French a number of times, most successfully by Henri-Dominique Paratte under the title of Anne: La maison aux pignons verts in 1987. Adaptations for younger readers were also published in both English and French by Nimbus in 2010.

Jean-Luc Trudel’s illustrations of life in Charlottetown in the 70s, coloured in muted, mature tones, are gentle without being overly sentimental, and complement the story perfectly. Trudel also illustrated Le pit à papa, about Prince Edward Island’s iconic singer-songwriter Angele Arsenault.

For four to eight-year-old children, The Fox and the Fisherman is a translation of Marianne Dumas’s Le pêcheur et le renard, originally published by Bouton d’or. The English version will be released in the fall by Nimbus Publishing, Atlantic Canada’s premier English publisher of children’s titles. Nimbus has also published French translations of some of its English titles, including Sheree Fitch’s Kisses Kisses Baby-Oh, now also available in Mi’kmaw, as well as English translations of several Acadian books. Its recent English version of another Bouton d’or book, My Two Grandmothers by New Brunswick Acadian Diane Carmel Léger, is very telling about New Brunswick’s bilingualism; it is the story of a child’s Scottish Nannie and Acadian Mémère.

Illustrated by the author, The Fox and the Fisherman has simple, cheerful and exquisite water colours of the maritime setting and is set in an appealing layout. The story is told in an understated, moving tone and a language similar to a fable. The books tells of the encounter of a lonely fisherman named Barnaby and a fox who comes to spy on him. Barnaby looks forward to seeing his four-legged visitor at the end of each exhausting and often unsuccessful day on the sea. The two spend their evenings together on the shore, sharing a comfortable silence as well as Barnaby’s catch, as their unusual friendship grows:

… and would sit side by side, admiring the sea, like old friends. The fox observed Barnaby carefully, almost as if he could understand the man’s feelings.
The fisherman never needed to speak.
The fox could tell Barnaby was kind, and knew he could be trusted.

When Barnaby’s friend does not show up one evening, the fisherman becomes worried. Once again, he is faced with an empty house and no one waiting for him. After many long nights, the red fox returns with two kits. Now Barnaby has more company and a better catch to feed them all. In this story trust, gratitude and patience grow in times of scarcity as well as plenty, and hope prevails.

Marianne Dumas is an art teacher in Chibougamau, Québec, who always dreamed of being a writer. This is her first book. The French book was shortlisted for the 2017 Prix Peuplier, one of three French-language Ontario Library Association “Forest of Reading” awards.

The author wrote the French and English version Meet Me at Green Gables. This is a rare occurrence in Canadian publishing, in which most writers, translators and publishers work in only one language and self-translations are an anomaly. In Bouton d’or’s Wabanaki collection, for instance, three writers collaborated on the text, each of them writing in their first language; Nimbus engaged literary translators for most of its previous translations.

When publishers work with literary translators writing in their first language and familiar with the culture and practices of the other language community, it has definite advantages. Translation is a bridge best crossed with a group.

With this abundance of children’s books appearing in two or more languages, I look forward to a growing interest in translations of Atlantic Canadian and Acadian writing in all genres.

Filed Under: #84 Fall 2017, Editions, Features, Young Readers Tagged With: Anne of Green Gables, Bouton d’or Acadie, Jean-Luc Trudel, Le pêcheur et le renard, Marianne Dumas, Meet Me at Green Gables, Michel Bourque, New Brunswick, Nimbus Publishing, Nova Scotia, picture book, Rideau rouge et pignons verts, The Fox and the Fisherman, Translation, young readers

November 16, 2016 by Sarah Sawler

Origin Stories is a new monthly feature highlighting how some of the region’s most recognized authors found their calling. Please let us know what you think in the comments box below or email your feedback to kim@atlanticpublishers.ca

Gloria Ann Wesley
Photo credit: Peter Marsman

As a girl, the first published Black Nova Scotian poet took to reading like a duck to water

Although Gloria Ann Wesley fell into publishing almost by accident, there’s no arguing the fact that it was meant to be. After all, the esteemed poet and author is recognized as the first published Black Nova Scotian poet, and her novel, Chasing Freedom, was shortlisted in 2012 for the Ann Connor Brimer Award.

But her early years were much more humble.

Wesley was never read to as a child. She lived with her grandmother in Yarmouth, Nova Scotia, and although she received books every Christmas—mostly anthologies with about 20 stories in each one—her grandmother only had a grade three education, which made it difficult for her to read with Wesley.

Even today, Wesley doesn’t know where her love of reading comes from, but there’s no question that it’s a deep love indeed.

If This is freedom-Gloria Ann Wesley-Fernwood“I just took to it like a duck to water,” says Wesley. “I started reading in grade one.  I remember reading Anne of Green Gables at a very young age. And by the time I’d finished grade two, I’d already read three of the books in that series.”

As they got older, Wesley and her brother bonded over their love of books. Whenever they had a little extra money they’d spend it on a novel or a comic book. Her brother had a particular penchant for Archie comics and books about UFOs.

“He was older than me. He would bring home comic books and when he finished them, I just gobbled them up,” says Wesley.  “Anything he read, I read, because there was just such limited material in the house.”

But her first tentative steps into writing didn’t happen until grade seven, when she encountered a particularly encouraging teacher.

“She was always telling me that my stories were really good,” says Wesley. “Anytime I wrote something for her, she would write ‘Excellent!’ at the top. It felt so good!”

The sticking point for Wesley may have been when her grade seven class went on a field trip to the museum. When they got back to the class, their teacher asked them to write about their trip. After they were done, the teacher chose three pieces to submit to the Yarmouth Light newspaper, and Wesley’s was one of them.

“I already loved to read and write, I’d always write little stories, but it wasn’t until I got to grade seven that I went, ‘Oh… mine are special.’” Wesley laughs. “It’s funny how kids think, but that’s what I was thinking.”

A few more years passed, and Wesley started working at her high school’s newspaper. During that time, she wrote a lot of material—mostly because, as she says, “You don’t get a lot of contributions to the paper in high school.” It was up to Wesley to fill in a lot of the gaps. And it’s a good thing, because most of the poems she wrote during high school ended up in her first book, To My Someday Child, which was published in 1975.

The publication of this first book was rather serendipitous. While Wesley was in teacher’s college, she spent a lot of time with a friend from New Glasgow. Her friend’s foster mother turned out to be the late Carrie Best, a poet, writer, journalist and human rights activist. Best enjoyed Wesley’s poems, so every time Wesley went to visit, she would bring along something new to show her.

Chasing Freedom-Gloria Ann Wesley-FernwoodOne day, when Wesley arrived at her friend’s house, Best already had company. He was a professor at Vanier College in Montreal.

“This professor was a good friend of hers, and when I arrived, she told him, ‘This is Gloria. She writes, and you should have a look at it.’ And he said, ‘Well, just package up some of her stuff and I’ll take it back with me and look at it there.’”

It wasn’t long before Wesley heard back—and the rest is history.

Since then, Wesley has published much more. Her recent work includes young adult novels Chasing Freedom and If This is Freedom, which tell the story of Sarah Redmond, a young Black Loyalist living in Birchtown after the American Revolutionary War. And soon, her fans will be in for something new—she’s currently working on a contemporary novel.

Filed Under: Columns, columns-origin-stories, Web exclusives Tagged With: Ann Connor Brimer Award for Children’s Literature, Anne of Green Gables, author, Black Loyalists, Black Nova Scotians, Carrie Best, Chasing Freedom, Fernwood Publishing, Gloria Ann Wesley, If This is Freedom, poet, Sarah Sawler, Young Adult

May 6, 2016 by Chris Benjamin

mom readingFor Mother’s Day this year, rather than tell you what books we think your mom should read, we went to some literary experts – a.k.a. librarians – to see what their moms like to read.

We weren’t quite prepared for the intensity of love expressed in some of their answers, from people who miss their departed moms and others who still get to share books and their learnings with their moms many years later. Here is what we heard.

Simon Lloyd, University Archivist & Special Collections Librarian, UPEI

“My dear Mum, Rosemary (Hill) Lloyd, was a great reader, and she and my Dad ensured that my sister and I grew up surrounded by books. Her tastes heavily favoured British writers: she and Dad emigrated from England to Nova Scotia in 1970, and she retained a warm and unpretentious fondness for certain things English – especially a properly-made cup of tea – for the rest of her life.

Anne of Green Gables“That said, my recollections of Mum do include at least one Atlantic Canadian literary thread. She remarked to me, not long after I moved to PEI in 1999, that she had never imagined, when reading Anne of Green Gables as a young girl in England, that she would one day be visiting her son on the magical island Montgomery so lovingly described. In the years that followed, Mum also developed some interest in Anne’s creator, LM Montgomery, as I shared with her some of the fascinating things I’d learned through having the good fortune to work with the wonderful community of scholars and admirers that has grown up around the LM Montgomery Institute at UPEI.

Montgomery the Gift of WingsAs chance would have it, Mum and I both read Mary Rubio’s imposing biography of Montgomery, The Gift of Wings, and had some enjoyable conversations around that. Though Mum was warm and sociable, with a host of good friends, she had an instinctive and deep-rooted sympathy for rebels and others who didn’t quite fit, so I think she was very interested to learn about Montgomery’s complexities and struggles.”

 

Lise Brin, Scholarly Communications Librarian, Angus L. Macdonald Library, StFX

“When I was in primary school my mother went back to school to get her B. Ed. She had gone to Normal School in Truro many years earlier, but decided in her 40s that she wanted a university degree. While pursuing these studies she took some French literature classes where they read La Sagouine by Antonine Maillet. I can’t say for sure, but I think this must have been something of a shock to her. As an Acadienne from Cape-Breton who had married a French teacher and (eventually) relocated to Manitoba, my mother had La Sagouinelearned to speak a “standard” French and suppress her Acadian accent. And now here she was in a university setting, studying a novel written in that familiar and comfortable speech of her roots.

“Once the shock wore off, this was quite a treat for her. Around the same time, she took the whole family to a theatrical rendition of La Sagouine, starring the incomparable Viola Léger, which I found (being seven or eight years old at the time) dreadfully boring and largely unintelligible. Now, of course, I have a far better appreciation for the book and for the pride she felt in encountering this piece of writing that at once acknowledged the existence of her language and upbringing, and legitimized it to us, her children, as poetic and worthy of literary praise.”

 

Amanda Tiller-Hackett, Humanities Collection Development Librarian, QueenContemporary Newfoundland Short Fiction Elizabeth II Library, MUN

“My mother, Vivian, is an avid reader … mostly of Danielle Steele and other similar authors. Recently, I’ve tried to get her into some of our local authors like Lisa Moore and Michael Crummey. She started with a collection of Newfoundland short fiction (I gave it to her for Christmas), and she liked it! But I think her preference is still romance fiction like Danielle Steele.”

 

Toes in My NoseTyler Griffin, Young Adult/Adult Services Librarian, Fredericton Public Library

“I have strong memories of my mother, Lucille, gifting and reading Toes In My Nose by Sheree Fitch with me. I have been a lifelong fan of Sheree ever since! I’m very thankful that my mother turned me into an inspired reader at a very young age through Sheree’s books.”

 

Crimes that Shocked NewfoundlandLorraine Jackson, Library Assistant, Cataloguing & Metadata, Queen Elizabeth II Library, MUN

“My mom, Olive Smith, always liked reading Jack Fitzgerald.  Her favourites were true crime and other nonfiction works. She always marvelled at the weirdness of the world citing the maxim, ‘truth is stranger than fiction.’”

 

Richard Ellis, Librarian Emeritus, MUN

Peyton Place“My memory of my mother Marion Ellis’ reading is of her sitting on a small stool, in front of a heating grate, reading the newspaper and drinking a cup of coffee.  This was an end-of-the-day routine, often with my father grumbling something about night owls as he preceded her to bed. I do not recall discussing books with her, although on one occasion, perhaps at the time of the publication of Peyton Place by Grace Metalious, she commented that the previous cause célèbre was Forever Amber.”

Filed Under: Lists, Web exclusives Tagged With: Anne of Green Gables, Antonine Maillet, fiction, Goose Lane Editions, Jack Fitzgerald, La Segouine, librarians, libraries, Lisa Moore, Literacy, LM Montgomery, Mary Rubio, Michael Crummey, Mother's Day, New Brunswick, Newfoundland and Labrador, Nimbus Publishing, nonfiction, Nova Scotia, Prince Edward Island, romance, Sheree Fitch, short fiction, Toes In My Nose, True crime, university

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