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Africville

December 18, 2020 by Evelyn C. White

People of African descent are gaining increasing visibility in the culinary world. Note the success of bestselling books such as The Cooking Gene (2017) by Michael Twitty. Then there’s Butter Honey Pig Bread (2020), the debut novel by Halifax writer Francesca Ekwuyasi. Long-listed for the Giller Prize, the release is sprinkled with tantalizing recipes from her native Nigeria.

Fifty years after Halifax officials razed Africville — having derided the vibrant Black enclave as a “slum” — readers can now savour In the Africvillle Kitchen: The Comforts of Home by Juanita Peters, Claudia Castillo-Prentt and Adina Fraser-Marsman.

In opening pages of the spiral-bound cookbook, former residents of the community share memories of a typical Sunday meal: “There was either a boiled dinner or a roast dinner with potatoes, carrots, turnips, cabbage, sauerkraut … There would always be  … apple pie or a one egg cake. … Everyone in the family would be sitting down at the table.”

The 54-page volume includes a variety of time-honoured Africville recipes for meat, fish, desserts and “extras” (such as homemade root beer). As for seafood, a former resident provides an intriguing backstory to the ingredients for Eel Sautéed in Onion. “We’d go down to the Bedford Basin at night and light a match to attract the eels to the top,’’ he recalled.

A recipe for rosemary and garlic-studded roasted lamb calls for mini-hasselback potatoes (reputedly invented in a Swedish tavern) as the perfect accompaniment. Halifax civic leader Irvine Carvery offers readers his mother’s Fried Pork Back (with cut up cabbage). “This dish can be  personalized,” he notes. 

Ingredients for a mouth-watering barbecued mackerel include a marinade of ginger, honey, lime juice and sesame oil. Recipes for blueberry muffins and blueberry grunt evoke archival photos of Black children picking blueberries in the bucolic Africville landscape.

The lovingly rendered release also presents a brief history of The Coloured Hockey League noting that a match between the Africville Sea-Sides and the Charlottetown West End Rangers drew 1,200 spectators. Readers who work fast in the kitchen will find directions for aromatic fruit cakes that can be ready to serve by the end (Hallelujah!) of a taxing 2020. 

Contact www.africvillemuseumshop.com or phone 902-422-1116 for more information about In The Africville Kitchen.

–Evelyn C White is a journalist and author whose books include Chain, Chain, Change: For Black Women in Abusive Relationships (Seal Press, 1985), and the biography Alice Walker: A Life (W. W. Norton & Company, 2004). A former reporter for the San Fransisco Chronicle, she lives in Halifax. 

Filed Under: News Tagged With: Adina Fraser-Marsman, Africville, Africville Museum, Black Cuisine, Butter Honey Pig Bread, Claudia Castillo-Prentt, Food, Francesca Ekwuyasi, Halifax, In the Africville Kitchen, Juanita Peters, Michael Twitty, Nova Scotia, The Cooking Gene

October 21, 2020 by Atlantic Books

The best gifts are made at home. That may be truer this holiday season than ever before. In a year that has kept so many of us close to home, doing our part by staying apart, the most memorable gifts are the ones imagined, planned, and stitched together right here in Atlantic Canada. And believe me, our region’s authors, illustrators, and publishers have had an extremely busy year creating books that your loved ones will treasure long after the lights are put away. 
 
I’m talking about books for the art lover, the history buff, the kitchen wizard and the outdoor enthusiast. The doer, dreamer and eager to learn. And of course, anyone who just loves a great story beautifully told. Help your loved ones dive deep into the lives and work of Peter Powning and Maud Lewis; learn kitchen secrets from top local chef Craig Flinn; bite their nails and nervously turn the page with master of suspense Kevin Major; let Shauntay Grant grow young readers’ minds and take them back to life in Africville. 
 
When you give a local book, you give an escape, an experience, a world. And you give a piece of local culture that lasts a lifetime. 

Check out all of our holiday collections here:

  • The Gift of Art Stories
  • The Gift of Historical Stories
  • The Gift of Human Stories
  • The Gift of Literary Stories
  • The Gift of Nourishing Stories
  • The Gift of True Stories
  • The Gift of Youthful Stories

Filed Under: News Tagged With: Africville, Craig Flinn, Kevin Major, Maud Lewis, Peter Powning, Shauntay Grant

June 17, 2019 by Trevor J. Adams

Ten years ago, I had the strange privilege of co-authoring Atlantic Canada’s 100 Greatest Books. My co-author and I, with the enthusiasm of men who do not realize they’ve bitten off far more than easily chewed, surveyed CanLit insiders and fans. There were 716 responses, nominating 2,048 books. From that, we winnowed a top 100 list.

(No Great Mischief was number one, if you don’t have your copy handy).

Debate began as soon as our project rolled off the press. Why aren’t there more Newfoundland books? Why didn’t you include my book? What do you guys have against poetry? Anne of Green Gables is number two? Really? And so on.

I learned more than I ever thought possible about the wealth of Atlantic Canadian literature. After the book was published and the hubbub was behind me, I thought: “I don’t want to ever read another Atlantic Canadian book and I never want to do that again.”

But great Atlantic Canadian books just keep coming. So, 10 years later, I’m again pondering the East Coast’s best books.

There is no particular methodology behind this list. I polled a few librarians, teachers, authors and editors (not 716 of them), but these are my subjective, opinionated picks.

What strikes me is how a great writing culture has, despite relentless economic pressure and competition from around the globe, gotten greater, with a more diverse array of talents. There are more women and writers of colour in the mix than a decade ago. It’s exciting to see writers who weren’t on my radar (sometimes because they were still in high school) now topping the list.

What Boys Like
Amy Jones
Biblioasis

It wasn’t her first book, but with this collection of short stories, many first discovered Halifax’s Amy Jones as an inventive writer, both technically proficient and artful. Her characters are authentically flawed, real and knowable. The 15 worlds she creates feel lived in. One senses lives that were going on before the reader joined, continuing after the reader leaves.

 

Generations Re-Merging
shalan joudry

Gaspereau Press

Canada is enjoying an explosion of Indigenous arts unseen since the first European settlers arrived here. This list could have just as easily been about the 10 best Indigenous books of the last decade. Few books reflect that as well as joudry’s debut collection of poetry. Exploring Mi’kmaw heritage, culture and tradition, she offers deeply personal poems speaking to her own experiences and far broader, universal issues. “Healing to both author and reader, and an offering for many generations to come,” writes reviewer Shannon Webb-Campbell in Room. 

 

Light Lifting 
Alexander MacLeod

Biblioasis.   

Cape Breton’s Alistair MacLeod (quite legitimately) dominated this discussion a decade ago, so the part of me that likes historical symmetry is pleased to place his son on this list. Yet Alexander MacLeod would belong here even if his father’s name were John Smith. Shortlisted for the 2010 Giller Prize, this short-story collection reveals a writer whose talent exceeds his legacy, rising above the expectations his famous father inevitably created. Raw emotions and vivid personalities dominate.

 

Come, Thou Tortoise
Jessica Grant
Vintage Canada  

Debut books seem to keep coming up on this list. (Which is about the most hopeful thing I can imagine for Atlantic Canadian literature). With brisk, breathlessly paced writing, Jessica Grant crafts a quirky world where even the most briefly passing-through characters have something pithy and wise to contribute. In creative-writing programs all over the country, young talents are furrowing their brows, trying to figure out how to write with such creative economy.

 

Indian School Road 
Chris Benjamin
Nimbus Publishing

Canadians like to imagine themselves as compassionate and gentle, without the racial strife that periodically roils over our American neighbour. So Canada’s post-colonization history is tough to reconcile. Most feign ignorance (“Their lives are so much better now.”) put it in the past tense (“That’s ancient history.”) With this searing look at the legacy of the residential-school system and its still-resonating consequences, Chris Benjamin makes either escape impossible. Read this book and it’s impossible to deny what our ancestors did, or our obligation to make it right.

 

The Golden Boy
Grant Matheson
Acorn Press

Write personally and honestly and you can’t go far wrong, say writing coaches around the world. And with this ruthlessly honest recollection of his life as a drug-addicted doctor, PEI’s Grant Matheson shows the simple wisdom of that advice. He describes how he became hooked, his fall from grace when his addiction led to professional malpractice, his struggles to get clean. It could be the lurid stuff of any number of autobiographies, yet his simple honesty gives readers the chance to understand and see the realities of drug addiction, and how its horrors aren’t confined to certain neighbourhoods or economic classes. 

 

Hot, Wet and Shaking
Kaleigh Trace 
Invisible Publishing

Kaleigh Trace describes herself as a “disabled, queer, feminist sex educator,” which would seem to put her in a category all her own as a writer. Only she doesn’t accept that notion. Instead, she writes a powerful and personal story about her own sexuality, what she’s discovered about herself and other people. National Post reviewer Stacey May Fowles sums up: “It is accessible to anyone who has struggled and faced confusion on the path to pleasure… so basically, everyone.”

 

Folk 
Jacob McArthur Mooney 
McClelland & Stewart

As our civilization is ever more atomized from a collective to a gathering of self-interested individuals, it’s fascinating to see a poet of Jacob McArthur Mooney’s talent explore, with wry humour and tender insights, our evolving idea of community. Most captivating is “Folk 1,” about the crash of Swissair 111, bringing international tragedy to a rural Nova Scotian fishing village. Two decades later, its effects linger in intangible ways, better understood after reading this book. 

 

Africville
Shauntay Grant
Anansi/Groundwood

A decade ago when pondering Atlantic Canada’s greatest books, we gave books for kids little consideration. It wasn’t deliberate; there were few on our radar, perhaps because we hadn’t seen books like Africville. With warmth and tenderness that makes the heart ache, Grant writes a lyrical homage to a lost community. Aimed at younger readers but captivating to all, she makes readers yearn to visit the now razed community. Evoking nostalgia for what we destroyed, she makes it clear why the razing of Africvilles remains an open wound.

 

outskirts
Sue Goyette
Brick Books

While young and emerging writers dominate much of this list, one can’t overlook the ongoing work of long-established talents like Sue Goyette. For more than three decades, she’s been writing poetry and meditations tightly linked to the East Coast, and specifically Nova Scotia. There’s her deep connection to the natural world, and more than that: “Firmly rooted in Nova Scotia’s natural environment and culture, the poems in Outskirts feel quite at home in my urban prairie setting. As I feel in Gus’s Pub,” says a review in Prairie Fire. You’ll find those qualities in any Goyette collection, but if you’re only reading one, this is it. An accomplished artist at the top of her game, helping us discover ourselves and our place.

 

Trevor J Adams is editor of Halifax Magazine and senior editor with Metro Guide Publishing. He wrote Long Shots: The Curious Story of the Four Maritime Teams that Played for the Stanley Cup and coauthored Atlantic Canada’s 100 Greatest Books and Today’s Joe Howe.

Filed Under: Lists Tagged With: 10 Best Atlantic Canadian Books Since Atlantic Canada's 100 Greatest Books, Acorn Press, Africville, Amy Jones, Atlantic Canada's 100 Greatest Books, Atlantic Canadian books, Biblioasis, Brick Books, Chris Benjamin, Come Thou Tortoise, Folk, Gaspereau Press, Generations Re-merging, Grant Matheson, Groundwood, Hot Wet and Shaking, House of Anansi Press, Indian School Road: Legacies of the Shubenacadie Residential School, Invisible Publishing, Jacob McArthur Mooney, Jessica Grant, Kaleigh Trace, McClelland & Stewart, Nimbus Publishing, Outskirts, Shalan Joudry, Shauntay Grant, Sue Goyette, The Golden Boy, Trevor J Adams, Vintage Canada, What Boys Like

November 7, 2018 by Lisa Doucet

Africville
Shauntay Grant, illustrates by Eva Campbell
Groundwood Books
(Ages 4 to 7)

“Take me to the end of the ocean…”

So begins this paean to the once-thriving Nova Scotian community of Africville. Located along Halifax’s Bedford Basin, it was home to a close-knit Black community that, throughout its more than 150 year history, was consistently under-served, mistreated and ultimately razed.

This book recalls the spirit of Africville and its people: the colourful houses nestled along the water’s edge and the sun coming up over the water; children picking berries, playing football and rafting at Tibby’s Pond; catching codfish and gathering round a bonfire at the end of the day at Kildare’s Field.

As the protagonist attends a modern-day festival that honours Africville, she envisions it as its former residents remember it, and she savours her own personal connection to this place when she finds her great-grandmother’s name inscribed on a memorial sundial.

In her latest picture book, Haligonian Shauntay Grant once again captures a place and its people. A

fricville will touch the hearts of adults as surely as it will its intended audience. Grant’s perfectly-paced free verse poetry has a gentle, hypnotic quality that flows through the narrative and invites the reader to savour each word and the myriad images the words evoke. Eva Campbell’s illustrations are bold, bright and filled with energy and motion. In some cases, the faces are expressive and filled with emotion. On other pages they are blurred and indistinct, letting the bodies tell the story. Each page is richly textured and visually depicts the warmth, the intimacy of this community as well as the natural beauty of the landscape.

Together, the text and illustrations create a vivid portrait of what Africville once was. Young readers may be inspired to not only read the information included at the back of the book but to also check out the suggestions for further information.

Filed Under: # 87 Fall 2018, Reviews, Young Readers Reviews Tagged With: Africville, awards, Governor General's Literary Award, Halifax, history, House of Anansi Press, Illustrated Books, Nova Scotia, picture book, Shauntay Grant, Young People's Literature

June 18, 2018 by Evelyn C. White

Africville residents were moved using City of Halifax dump trucks. Ted Grant – Library and Archives Canada.

Now hailed as a vibrant artists colony, Salt Spring Island, BC counts as its first permanent residents a group of free Blacks from California who settled the landscape in the late 1850s. Street signs bearing names such as Starks Road and Whims Road honour the island’s early Black families. Indeed, the enclave of about 10,000 continues to attract an eclectic coterie of people of African descent. For about a decade, I was among the Black folk who called Salt Spring home.

One day during a visit to the Salt Spring library, I was drawn to a book titled The Spirit of Africville. I’d previously read about the “velvet touch” Canadian racism that had facilitated the razing of Africville and other close-knit African-Canadian communities such as Hogan’s Alley in Vancouver (the 1997 film Rosewood showcases the more “rigorous” tactics utilized in the US, where I was born).

But I was stunned to discover that Halifax officials, in the purported guise of being “helpful,” had dispatched municipal dump trucks to relocate many residents of Africville to new homes. Founded in the 1840s by William Brown and William Arnold, two Black men who’d purchased land abutting the Bedford Basin, Africville housed about 80 families when it was demolished in the 1960s.

Published in 2010 (by the Africville Genealogical Society and Formac Publishing), here’s a passage from The Spirit of Africville: “Just think what the neighbours thought when they looked out and saw a garbage truck drive up and unload the furniture.”

Juxtaposed against the history of Blacks on Salt Spring Island (admittedly not without its tensions), the humiliation of the Haligonian maneuver left me speechless. I can only imagine the anger and sorrow of African Nova Scotians freighted with memories of forebears who’d been hauled like trash.

In Displacing Blackness: Planning, Power, and Race in Twentieth-Century Halifax, author Ted Rutland chronicles the machinations that have led to the degradation of the longest-standing community of Blacks in Canada; a group that, in the absence of government-sanctioned oppression, might have emerged as the archetype of Black achievement in North America.

A made-in-Nova-Scotia Barack Obama? Damn skippy it could-a happened. But no…

“More than any other Canadian city, Halifax is widely known for a particular example of anti-Black urban planning,” Rutland writes. “Africville is important because of…what happened to the people there, but also because of the broader structure of power that it symbolizes; the centuries-long neglect, plunder and subjugation of Black people in Halifax and across Nova Scotia by the state (in general) and planning (in particular).”

Readers familiar with the Pentagon Papers and its revelations about the deliberate US escalation of the Vietnam War will find resonance in Rutland’s bombshell narrative about Halifax. A faculty member in the Department of Geography, Planning and Environment at Concordia University, the self-described “white man from Northern Ontario” outlines his objectives in the text that spans from about 1890 to 2010.

“The story of Africville helped to expose my own ignorance about Canadian racism and the role of racism in shaping (advantageously) the circumstances of my own life,” writes Rutland, who completed graduate studies at Dalhousie University. He notes that his sojourn in the city awakened him to “forms of political and spatial segregation” that stand as the hallmark of the Halifax Regional Municipality (HRM), adding that all whites profit from the pervasive anti-Black (and Indigenous) sentiments in “Canada’s Ocean Playground.”

The author continues: “For a white person…the injustices…are inscribed not just in unjustly higher levels of white wealth or unjustly better white housing conditions but in the very make-up of our bodies and experiences of the world. It is important…to acknowledge…the intimate privileges provided to white people in contexts produced and organized by anti-Black urban planning.”

Bob Brooks/Nova Scotia Archives

Those inclined to dismiss Rutland’s volume as Kumbaya pandering should check the data upon which he builds his account of the disempowerment of Blacks whose presence in Nova Scotia dates to the early 1600s. In addition to his analysis of myriad works on Africville, the author mines documents from the archives of the Halifax planning department, minutes and reports of Halifax City Council, the records of the Nova Scotia land registry and the records of numerous civic groups such as the Halifax Council of Women (HCW), to name a few.

Having expressed his need for a definition of “institutional racism,” Halifax chief of police Jean-Michel Blais (aka “Street Checks R Us”) might consider Rutland’s 68 pages of source notes. There he’ll find, among other educational aids, a citation related to a 1916 HCW meeting at which members discussed city-owned and operated free-lunch counters where segregation was strictly enforced. Translation: Hungry Blacks were forbidden to step inside, let alone enjoy a sandwich.

“One member suggested that the policy should be opposed,” Rutland writes, referencing minutes from the HCW meeting. “But another argued that segregation was not the same as ‘discrimination,’ and the matter was dropped.”

Fast forward and readers will find Rutland’s citation from a Halifax Regional Municipality Planning Strategy document (circa 2005) that detailed a proposed housing development (think: white) near the historically Black communities of North Preston, Lake Loon, Cherry Brook and East Preston.

“In addition to plotting the location of new homes, the planning process sought to determine the ideal distribution of future investments in municipal services and infrastructure,” Rutland writes. Citing HRM planning department records, Rutland notes that residents of East Preston expressed their interest in better water services, bus transportation, the installation of sidewalks, functioning streetlights and the construction of new community and recreation facilities.

“These requests were universally spurned by city planners,” Rutland notes.

Hired in 2014, former Halifax chief city planner Bob Bjerke was fired (without warning), last August. Reading passages from Displacing Blackness one can’t help but wonder if Bjerke envisioned a planning process that valued the voices of African Nova Scotians likely wary of development projects (hatched before his arrival) that are steadily pushing them out of the city’s North End and outlying rural areas to which they’ve been relegated (apartheid-style) for generations.

“I had no plans to leave,” Bjerke noted in a media report after he was sacked.

“I am not disappointed,” said Halifax city councillor Matt Whitman about Bjerke’s sudden dismissal. Whitman’s offensive remarks about people of colour and his tacit support of pro-white groups (retweeting a letter from a white nationalist organization last February, for example) have been well publicized.

In addition to the racist bent of many politicians, Rutland faults the city’s clergy, health officials, legal experts, educators and media for proffering damning stereotypes about Blacks. He cites an 1850s era editorial in the Halifax Morning Post that decried African Nova Scotians as an “unproductive and destitute” group best suited for slavery. The Provincial Magazine chimed in: “We have no hesitation in pronouncing [African Nova Scotians] far inferior in morality, intelligence, and cleanliness, to the very lowest among the white population.”

The relentless disparagement of Blacks played out in the process that culminated in the annihilation of Africville. As evidenced by the author’s documentation, the community had, since its inception, routinely pressed Halifax officials (all-white) for better living conditions. Instead, “The most undesirable and noxious facilities in the city had a tendency to be sited on Africville’s doorstep,” Rutland notes. They included: a dump, a tar factory, a slaughterhouse, a fecal waste pit, a prison and an infectious diseases hospital. The predictable outcome? Fetid air, contaminated water and battalions of rats.

Children play around City of Halifax pump in Africville. Library and Archives Canada.

After more than a century of deliberate abuse and neglect, Halifax city planners condemned, as a “slum,” the enclave they’d helped to create. In doing so, they eviscerated a self-sustaining (albeit beleaguered) Black community that remains under siege. Promises of job training, legal aid, educational programs and financial support for displaced residents of the blueberry-laden landscape never came to full fruition.

And yet, about Africville, the white owner of a prominent “eco-friendly” Halifax enterprise recently declared, in a private conversation: “I don’t know why the Blacks here just can’t get over it.”

Whites inclined to lament the so-called carping of African Nova Scotians are well advised to check their attitude—especially those who’ve now set up shop in previously shunned, as “dangerous,” areas of the city. I’ll put it this way: Who’s zoomin’ who?

Rutland’s chapter on the Black United Front (BUF) offers an overview of the Halifax advocacy group that formed in the aftermath of the destruction of Africville. Among others, the author salutes future attorney Burnley “Rocky” Jones (1941-2013) for promoting a platform of Black self-determination that, ironically, was later undermined by the organization’s dependence on government funding.

Rutland also ventures that an informant with probable ties to the FBI and RCMP infiltrated the BUF and fuelled fears about “Black activism and violence.” By 1996, BUF had effectively disbanded.

Readers will find a noteworthy companion to Displacing Blackness in There’s Something In the Water: Environmental Racism in Indigenous and Black Communities. The text by Dalhousie University School of Nursing professor Ingrid Waldron (who is African-Canadian) offers strategies to combat the polluting and poisoning industries (dumps, pulp mills, sewage “treatment” plants, pipelines, et cetera) routinely found within spitting distance of minority populations throughout Canada.

Crafted with a pointed emphasis on Nova Scotia, the book is an outgrowth of Waldron’s efforts as director of the Halifax-based Environmental Noxiousness, Racial Inequities & Community Health (ENRICH) Project. In the opening pages, Waldron reveals that she launched ENRICH in 2012 after a white social and environmental activist, Dave Ron, contacted her about a campaign to remove a landfill near the African Nova Scotian community of Lincolnville.

Among the province’s early Black settlements, Lincolnville takes its name from President Abraham Lincoln, whose 1863 Emancipation Proclamation abolished slavery in the US. In an ironic twist, Lincolnville was home to the last segregated educational institution in Nova Scotia—the Mary Cornish School. It was not shuttered until 1983.

“As a professor whose scholarship had focused mainly on the health and mental health impacts of race, gender, and class inequalities…environmental racism had simply never caught my attention,” Waldron writes. “…Was this truly a problem in Canada as well [as in the US], I wondered?”

The book chronicles Waldron’s coming to consciousness on the topic and her collaboration, as an academic, with grassroots organizations in Lincolnville and other historically Black and Indigenous communities such as Pictou Landing First Nation, Lucasville, Eskasoni First Nation in Cape Breton, Acadia First Nation Reserve in Yarmouth, the Prestons (East and North) and areas of Shelburne.

The author writes: “One of the most important lessons I have learned…is that engaging marginalized communities requires a shift in thinking about…power, privilege, and equity. …Considerations about how researchers can work with rather than for or on behalf of communities must be premised on organic, trusting, collaborative, reciprocal, and equitable relationships. …This involves recognizing and respecting community members as experts in their own lives…at every stage of the research process.”

To that end, ENRICH facilitated (then and now) the participation of local residents in initiatives aimed to improve the air, water, sanitation and overall daily living conditions of groups traditionally ignored by corporate and government power brokers. In doing so, the project challenged myths about purported Black and First Nations “imperviousness” to physical, psychological and emotional pain.

“The reality is that both [groups] are more vulnerable than are other communities to illness and disease associated with their greater exposure to environmental risks,” Waldron notes.

And here, the author offers the reflections of a Mi’kmaw Elder on the reluctance of dominant cultures to honour Indigenous traditions of knowledge: “My greatest challenge…is to convince white people that [First Nations] not only have something to say, but to kind of raise a question in which [white people] ask themselves, ‘What am I doing?’ Because everything I do onto her, our Mother Earth, I do unto myself.”

There’s Something In The Water also breaks important ground in its discussion of the ways in which oppressed groups can internalize negative stereotypes about their own cultures and histories. “Resistance calls for a deep engagement with how colonization has impacted the minds of colonized people,” Waldron writes, noting the need for marginalized communities to believe in their inherent ability to survive experiences of “being burned, mistreated, exploited and ultimately abandoned” by outside “experts.”

The “ground up” ENRICH approach has led to successes such as the implementation of a water monitoring project in Lincolnville conducted by African Nova Scotian residents of the community. The initiative had three objectives: “To determine if there was contaminated water flowing in the direction of [residents] from the landfill site, to build the community’s capacity to test their own water, and to provide community members with basic knowledge about contaminants and groundwater sampling. …Members also reviewed reports and other literature on…hydroecology, and bedrock geology, as well as facility siting regulations…and maps created by government.”

ENRICH map of siting of toxic industries in relation to African Nova Scotian and Mi’kmaq communities. Available at enrichproject.org.

Confronting both internal and external doubts about their competency, Lincolnville residents got their science on. In short, they moved from being victims of environmental policies that threatened their well being to informed “citizen scientists” brimming with self-worth.

Presented as a series of case studies, Something in the Water stands as a valuable resource for scholars and social activists (of all stripes) hoping to foster and sustain measurable social change.

“Environmental racism is about the way our systems, our laws and policies uphold white supremacist ideologies,” Waldron has noted in media reports about ENRICH.  “…We put the dump in a community because that community doesn’t matter. Many people may not want to admit…this, …and they may not even know it, it is so deeply embedded in their psyche.”

As for everyday relevance, the last I checked, the Canadian Football League was chockablock with players of African descent. Nova Scotia government and private investors now lobbying to lure a CFL team to Halifax should note that Displacing Blackness and There’s Something in the Water underscore the province’s “reputational risk” (as one HRM report put it) on race matters—the recent drop kick of the city’s infamous Cornwallis statue notwithstanding.

Indeed, throughout my reading of these two volumes, “Somewhere” by Aretha Franklin wafted through my head. Less known than her smash hit “Respect,” Franklin’s gospel-infused rendition of the song from West Side Story gives new meaning to the lyrics crafted by Stephen Sondheim in 1957:

 

There’s a place for us
Somewhere a place for us
Peace and quiet and open air
Wait for us, somewhere.  

Set against the plight of Black and Indigenous people as detailed by Ted Rutland and Ingrid Waldron, readers will find a poignant pathos in Franklin’s haunting interpretation of the tune.

Somehow/Someday/Somewhere!

Filed Under: # 86 Spring 2018, Editions, Features, History, Nonfiction Tagged With: African Canadian, Africville, Aretha Franklin, Black, Displacing Blackness, environment, Fernwood Publishing, Halifax, Indigenous, Ingrid Waldron, LIcolnville, Nova Scotia, Planning, pollution, racism, Ted Rutland, There's Something in the Water, University of Toronto Press, Urban Planning

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