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African Heritage Month

February 28, 2018 by Sarah Sawler

Photo by Dylan Chew

Just a few days ago, Andre Fenton, a 22-year-old poet and YA author living in Halifax, was chatting with an old friend about their elementary school days. During the conversation, Fenton’s friend reminded him of something he’d almost forgotten: that whenever anyone asked Fenton what he wanted to be when he grew up, his answer was, without fail, “a writer” or “a storyteller.” Fenton was just five years old and his favourite book was a classroom copy of The Frog and the Fly by Leslie Wood.

“When we got our 15 minutes of reading every day, I’d go and grab it,” says Fenton. “The teacher was like, ‘You can’t read that book again.’ And I was like, ‘Well, I’m going to read it again.’” And he did.

In junior high, Fenton had to keep a journal and write a new story in it every week. Each story was supposed to be one page long.

“But one weekend, I had a dream where aliens invaded Halifax, so I started writing about that,” he says. “I came back to school with an 80-page, loose leaf-written story.”

He laughs as he thinks about handing in the stack of loose leaf. “The teacher had to read all of them and mark them, and there’s me, the weird kid giving her the 80-page notebook with a story about aliens invading Halifax.”

Fenton continued writing but he didn’t discover his love for poetry until Grade 12, when he took an African Literature class. “Usually when we did poetry sections in high school, it was a lot of poetry by people who died hundreds of years ago,” he says. “But I remember the teacher who did African Lit, he just rolled in the TV for all of us. Over the span of two weeks, we watched an entire season of Def Poetry Jam. I remember watching it and thinking, ‘I really want to try that.’”

So he went for it, learning a lot within a very short period of time by watching poets perform on YouTube. About a month later, he was recording a couple of poems at a recording studio, and El Jones showed up. Someone told her to check out Fenton’s poem. She invited him to a poetry slam that same night at Dartmouth High. At the time, he says he didn’t really know what a poetry slam was. But he agreed to go and soon found himself driving over the bridge, editing his poem with Jones on the way.

When he arrived, he discovered that it was actually finals night at the poetry slam and the top five poets would get to represent Halifax at the 2013 Canadian Festival of Spoken Word in Montreal. Fenton came in third.

But he didn’t start mapping out his future until 2014, after performing with a friend at Youth Can Slam in Ottawa. “I remember this one night, after indulging in a week of poetry, we were lying in this hotel/dorm room. It was high over the city and we were just talking about what we’d like to do and how far we wanted to go with writing, and planning out our future with spoken word but also publishing,” he says. “I think spoken word has been a good stepping stone for me but I do think that writing young-adult fiction is where my real passion lies. I think, moving forward, that’s the route I want to take.”

Fenton says being at that festival helped him arrive at that decision. “I think it was just being around a lot of young artists that we relate to a lot,” he says. “Just making us feel like there are other people out there like us.”

Relatability and representation are important themes in Fenton’s work. Fenton spent a lot of time reading young-adult novels throughout high school. While the life lessons resonated with him and helped him define the person he is today, he also found that they lacked diversity. “From a Black Nova Scotian perspective, our community can be really underrepresented,” Fenton says. “I think one of the reasons I want to focus on diversity in my fiction is to break those barriers and make stories about us more inclusive, to show that you don’t have to be a certain way to fit in a certain category. I think having stories that people can relate to will bring them a long way.”

He’s already well on his way to achieving that goal; he’s recently signed a contract with Formac Publishing for his first YA title, which is about a young biracial man who is struggling with an eating disorder while juggling his own ideas of self-esteem and romantic relationships. “I think part of breaking barriers is talking about stories that don’t really see the light of day very often,” he says. “Sharing stories of hardship and talking about difficult issues will help people who need to hear them—because they’ll know they aren’t alone.”

Although he’s experienced some of the same challenges his main character is facing, for now Fenton is exactly where he wants to be. “It feels weird being the person you wanted to be when you grew up. I wasn’t really a person who wanted to go outside or play sports. I always wanted to go inside and watch Star Wars or Jurassic Park. And I remember even before the story of the alien invasion, I wrote a lot of fan fiction in notebooks. There are stories in you, you know?”

Filed Under: Columns, columns-origin-stories Tagged With: African Canadian, African Heritage Month, African Literature, Andre Fenton, biracial, Black Nova Scotian, Diversity, Eating Disorder, Formac Publishing, Halifax, multiculturalism, Nova Scotia, Poetry, Relatability, Representation, spoken word, YA, young adult fiction

February 27, 2017 by Katie Ingram

African Heritage Month spotlight on works about African-Canadian events or people

Every February, the spotlight is shone on the history, culture and achievements of African-Canadians for African Heritage Month. This includes many authors, their works or works about African-Canadian events or people.

These books not only give readers a glimpse into certain historical periods, but those who struggled to find acceptance and equality. In many works, there is also often a struggle for a voice–a voice that many writers find needs to be a bit louder.

“I live my life a person of African descent 24/7, 365 (days a year),” says author Sylvia Hamilton. “It can’t be confined and shouldn’t be confined to that month, as it kind of does a disservice to the complexity and contributions of these lives.”

However, those quiet voices become a bit louder with each new work or look at a particular subject, no matter the month.

Read on to see the significance of three Atlantic Canadian books and the connections their authors have to them.

Gloria Ann Wesley  – Chasing Freedom (2011) and If This Is Freedom (2013)

For Gloria Ann Wesley, exploring African-Nova Scotian history in Chasing Freedom and its sequel, If This is Freedom, was about finding stories that had been long suppressed.

“Black history, for me, was like unearthing a lost treasure that had been buried deep in the archives, attics, libraries and museums of the province,” says Wesley, whose protagonist is a Black Loyalist who comes to Birchtown during the American Revolutionary War.

Before writing the novels, Wesley spent about 30 years researching and writing about other aspects of African-Nova Scotian history. When she started looking more deeply into Birchtown, she found a sense a belonging.

“Having no prior knowledge of any tangible history of Black settlers, learning about them gave me an identity, a place in history, a sense of importance and increased self-esteem,” she says. “It was vital in my understanding of the Black presence in Nova Scotia.”

On a wider scale, she says she wants readers to find these links as well and realize how important the Black Loyalist and African-Nova Scotian history is.

“I hope that readers take away that we are not separate entities, but that our roots are joined and have shaped the rich fabric of Nova Scotian life and history,” she says. “We’ve had cruel forces against us and in spite of them we stand as a testament to our abilities, strength and endurance, having great accomplishments and heroes, not unlike every other race.”

Lindsay Ruck – Winds of Change: The Life and Legacy of Calvin W. Ruck (2014)

When it came to writing her grandfather’s life story in Winds of Change: The Life and Legacy of Calvin W. Ruck, Lindsay Ruck’s interest in the subject matter stretched beyond family.

Calvin Ruck was a Sydney-born author, member of the Order of Canada, former senator, social worker, activist and author who died in 2004. Ruck says that due to his race, her grandfather had to fight for many basic necessities – including being served at the barber – that she and others now take for granted.

“I’m a firm believer of you don’t know where you’re going till you know where you’ve been,” she says. “I know that it’s because of things my grandfather did in the past that I can write freely, put a book out, get a haircut, go to university and get whatever job I want.”

It’s because of these reasons that his story needed to be told.

“(The book is) about showing the difference one man can make,” says Ruck, adding that her grandfather’s story was one of “small beginnings.”

“He was just a regular jo,” she says. “(But) he experienced racism everyday. He knew what that felt like and he wanted to fight for those people who felt the same thing. He had these amazing accomplishments that set him above, but he was also just this man who took it upon himself to tell other people’s stories and help other people.”

Sylvia Hamilton – And I Alone Escaped to Tell You (2014)

With her poetry collection, And I Alone Escaped to Tell You, Hamilton wanted to find something of herself in media, a something that she finds is often missing.

“I think we all come from some place and we can take for granted we’re here, but I think it’s important to think about why we’re here and how did we get here,” she says. “For people of African descent, it’s of great importance because we haven’t seen ourselves for many generations in situations throughout society, even though we’re here.”

The collection looks at different aspects of African-Canadian history including the Black Loyalists who came to Birchtown and refugees from the War of 1812 who settled in Beechville – the latter of whom included ancestors of Hamilton’s.

“Diving into my own family history and seeing that open up, and then looking at the broader history, was a way I thought I could approach some of the pieces,” she says. “I knew that our community was originally called Refugee Hill, but the specificity of the War of 1812 … and that migration of free people,  I didn’t find out until I did that research.”

As with Wesley, Hamilton finds that it’s important to acknowledge African-Canadians and their stories outside of the African Heritage Month context. “African-Canadian history, African-Nova Scotian history is Canadian history,” she says.

Filed Under: Features, Fiction, History, Nonfiction, Poetry, Web exclusives Tagged With: African Heritage, African Heritage Month, fiction, Gaspereau Press, Gloria Ann Wesley, history, Lindsay Ruck, nonfiction, Poetry, Pottersfield Press, Roseway Publishing, Sylvia Hamilton

March 1, 2016 by Sam Littlefair Wallace

debra komar

Author says racism, undue media influence and biased law enforcement not bound by region or time

In her 2014 book The Lynching of Peter Wheeler, the second in a series of four historical true crime books, author and former forensic scientist Debra Komar investigates two cases of murder, revealing one killer. On January 27, 1896, 14-year-old Annie Kempton was murdered in her home in Bear River, Nova Scotia. Nine months later, following a sloppy and highly-publicized investigation, a Black man named Peter Wheeler was wrongfully hung for the crime. While Kempton’s killer may never be known (except, perhaps, to tight-lipped Komar), the author makes a compelling case that Wheeler was the victim of a biased legal system and frenzied public.

Can you tell me about your work on the Billy the Kid case?

I don’t think I would have written this book series were it not for my experience with Billy the Kid. In 2004, the governor of New Mexico announced he was reopening the investigation into the death of the notorious outlaw. New Mexico was one of three states that laid claim to the final resting place of Billy. As the forensic anthropologist for the state, I was assigned the job of proving we had the real Billy buried in Fort Sumner.

I had a seemingly unlimited budget and the power of a full homicide investigation. I spent three months investigating Billy, only to discover that the grave in Fort Sumner is empty. It was an embarrassment for the governor. But, for me, it taught me the power of modern forensic science to answer questions from our distant past.

How does your experience as a forensic scientist relate to your writing?

When you do case work, you answer the questions the court poses: Who? Why? How? When? When I retired from active service, I had a lot of larger, philosophical questions regarding the nature of justice. That was what made this series so appealing.

The series is similar to my professional work in that I applied the same standards and practices. It was essentially the same process — investigation, testing, analysis, conclusions — but with a very different outcome.

You started with the question “Is it possible to identify a wrongful conviction buried deep in our nation’s past and, in doing so, identify how and why the mistake occurred?” Why?

I witnessed well-known Canadian judicial errors — Guy Paul Morin, Steven Truscott, David Milgard — and saw how long it took to correct the mistakes. As a forensic scientist, I did hundreds of cases. The possibility that I got the wrong person in at least one of them keeps me up at night.

The Lynching of Peter Wheeler Debra KomarHow did you come across the Peter Wheeler case?

I heard of the Annie Kempton murder shortly after I moved to Annapolis. When I began looking for a case to reinvestigate, it was one of many on the initial list. I was looking for a case in which history recorded a guilty verdict that no one ever really questioned. When I read the court transcript and began to re-examine the evidence, I realized what I was looking for was in my own backyard.

You lived 20 minutes away from Bear River. What was the legacy of the Peter Wheeler case in the community?

I was surprised by the passion with which the case is remembered in Bear River, a lovely community that has not seen much murder or violence. The victim, Annie Kempton, was beloved. Many living in the town today have family links to the story. There is an exhibit about the crime at the local museum in Bear River. Because of that lingering legacy — and because racism played a significant role in the case — I had to be especially sensitive in researching the story.

You paint a very negative picture of the lead investigator on the case, Nick Powers.

Detective Powers was the biggest surprise for me in researching the case. I had suspected investigator bias or ineptitude might have played some role, but I was not prepared for Powers’ handling of the case. It is still hard to know how much malpractice was intentional on Powers’ part, and how much was an artifact of the times.

What lessons did you learn about journalism from studying the original case?

Media coverage is entertainment, even when it professes to be news.

What would you want forensic scientists, prosecutors, juries and journalists today to take from Peter Wheeler’s story?

Many people believe that erroneous convictions are based on a mistake. The factors that lead to wrongful convictions — racism, the influence of the media, a cop with his own agenda — are not bound by region or time. The reasons that led to Wheeler’s false conviction are still very much part of the system today.

You’ve said you have your own theory about who the killer is, but you’ve never named anyone — in the book or otherwise. Why?

That’s the fine line we must navigate as forensic scientists: not imposing ourselves onto the investigation. My intention in writing the Wheeler book was to see whether it was possible to identify a false conviction in the historical record, and I am confident I did that. My goal was not to try someone in absentia.

I believe in the right to defend yourself and to confront your accusers. If I were to name the “real killer,” I would be convicting someone without due process or the right to recourse. That’s not how I believe the system should work. The reader is welcome to draw their own conclusions.

Filed Under: Features, History, Q&A Tagged With: African Heritage Month, Black History Month, Debra Kumar, forensic science, Goose Lane Editions, history, Nova Scotia, The Lynching of Peter Wheeler, True crime

February 23, 2015 by Kim Hart Macneill

African Heritage Month 2015

Congratulations to our winner Sheelagh Russell-Brown of Halifax, NS!

We’re giving away a collection of books in honour of the last week of African Heritage Month 2015

To enter, simply tell us which Black Atlantic Canadian most inspires you! You can share your answers on our Facebook page, on Twitter (with the hashtag #HeritageBooks) or by commenting on this post.

You could win 5 books:

  • Live from the Afrikan Resistance by El Jones (Roseway Publishing)
  • Black Loyalists: Southern Settlers of Nova Scotia’s First Free Black Communities by Ruth Holmes Whitehead (Nimbus Publishing)
  • Winds of Change: The Life and Legacy of Calvin W. Ruck by Lindsay Ruck (Pottersfield Press)
  • Life Lines: The Lanier Phillips Story by Christine Welldon (Breakwater Books)
  • They Called Me Chocolate Rocket: The Life and Times of John Paris. Jr., Hockey’s First Black Professional Coach by John Paris, Jr. with Robert Ashe (Formac Publishing Company Ltd.)

Contest closes on Feb 28. The winner will be announced on AtlanticBooksToday.ca on Monday, March 2.

 

Filed Under: News Tagged With: #HeritageBooks, African Heritage Month, Black Loyalists: Southern Settlers of Nova Scotia's First Free Black Communities, Breakwater Books, Christine Welldon, contest, El Jones, Formac Publishing Ltd., Hockey’s First Black Professional Coach, Jr., Life Lines: The Lanier Phillips Story, Lindsay Ruck, Live from the Afrikan Resistance, Nimbus Publishing, Pottersfield Press, Robert Ashe, Roseway Publishing, Ruth Holmes Whitehead, They Called me Chocolate Rocket: The Life and Times of John Paris Jr. Hockeys' First Black Professional Coach, Winds of Change: The Life and Legacy of Calvin W. Ruck

February 19, 2015 by Kate Watson

Blank white book w/pathIn 1942, 110 men lost their lives when the American destroyer USS Truxtun sunk off the coast of Newfoundland. Among the survivors was Lanier Phillips, an African-American serviceman who was rescued by the people of a tiny outport community called St. Lawrence.

Phillips had grown up in the segregated South where he experienced relentless racism that caused him to both fear and hate white people. His experience in St. Lawrence, where the townspeople treated him with compassion and respect, proved to be a turning point for Phillips. He went on to become the US navy’s first black sonar technician and a well-known civil rights activist who shared his transformative story throughout his life.

Young readers will be captivated by the exciting tale of a shipwreck and survival, but this book is more than just an adventure story. Author Christine Welldon has painted a compelling picture of the pervasive racism of the time, and while its grim realities are not sugar-coated, they have been sensitively presented with the target audience of ages 8 to 12 in mind.

The book is sprinkled throughout with photographs and blocks of interesting facts that compliment the narrative.

Life Lines is a well-told and important story about the power of kindness to inspire and uplift.

Filed Under: History, Non-fiction, Reviews, Young Readers Reviews Tagged With: African Heritage Month, Breakwater Books, Christine Welldon, Kate Watson, Life Lines: The Lanier Phillips Story, Second World War, USS Truxtun

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