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Poetry

February 17, 2017 by George Elliott Clarke

DUPLICITY, excerpted from George Elliott Clarke’s Gold

Two-faced poet? That’s me.* “Guilty”—as framed.
My double visage suits my double tongue—
Spieling out twice-told tales in spliced duets—
Paper-and-ink, print-on-a-screen—unless
I redouble lies by dubbing aloud.
Let’s say my art’s “Romantic,” so I sport
A rosy halo—like printers’ devils,
And blaze all night, steeped in rosé or blush
(Bed) sheets.… Or say I’m extra “noir,” extra
“Polar,” my face pairing disappeared heart—
AWOL, paroled, sentenced no more to Love.…
Or say my background’s orange—a hint of sun:
It gilds “Apollo”; suns appalling Guilt.
This triptych of twin selves tells I’m split—
North, South, East, West, Hyde-and-Jekyll; thus, each
Ensemble dissembles—in resembling me.

 

* Cf. portraits by Marco Cera, Guy D. Andrea, et al., unveiled in April
2014 at the Art Gallery of Ontario (courtesy of a class in portraiture
taught by Aleks Bartosik).

Filed Under: Excerpts, Poetry Tagged With: Duplicity, Gaspereau Press, George Elliott Clarke, Gold, Nova Scotia, Poetry

January 5, 2017 by M Travis Lane

LOCAL SUITE, excerpted from M. Travis Lane’s The Witch of the Inner Wood: collected long poems.

 

1. Riverside Drive

The wind’s too rough for the sailboats.
A cormorant, starting to hang out its wings,
has had second thoughts. Pale mustard flowers
shake in the rocks and styrofoam
of the riverbank. A runner in red mittens
pounds on past.
                At the Armoury
boys play at soldiers. My small dog
noses the thawing ground. Her thick
coat flares like thistle seed.


2. Fredericton Junction

Last summer’s cattails, shaggy in the rain,
and blackbirds; a shiny, plywood station —
a purring bus clogs the parking lot,
the driver’s gone across the street
to the new café. In the waiting room
a girl in a yellow slicker and a child,
too hot in a pink fur snowsuit.

The café signs says “Chili.” “Well,
I’ve got beans,” says the counter girl.
“What else does it take?” The bus driver tells her.
She’s set for the day.

The rain lets up. My husband walks
beside the tracks like a signal man,
and the train looks round its corner, small,
yellow, perfectly genuine,
and right on time.


3. Roberta’s Wood Path
Spruce seedlings, still too small for lights
at Christmas time, line the narrow path
the children take. (The grownups bow.)
Ground cedar overhangs
a doll’s ravine.
(The patch of bluing scilla is a lake.)

The gardener marks her stations with tin tags:
bloodroot, trillium, shooting-star.
Above us squirrels in their choir stalls cry
and drop the stale, wild apples on our heads.


4. Picnic by the River Light
Nearsighted, the moose swam toward us.
Halfway across it saw us, blinked, and turned around.
We watched it wading the island. Later
we saw it stumbling in a patch
of carefully ranked young lettuces,
a kind of Peter, harder to evict.


5. Officers’ Square

With red salvia, purple petunias, orange
marigolds, a turquoise beaver pondering
its flat trough, and the plumbing-roofed
memorial like a bandstand.
The benches are red and yellow but the grass
has been left green.

The girls in their bare feet like it.
Stretched out flat, with their dress shoes
under their heads, they are getting
their lunch-break sunburns. Each
as pink as a rose.


6. Needham Street
Narrow, its dusk closed in with wires
as if to catch some late hawk-watching pigeon.
A tiny, tidy house is dwarfed
by the massive, white datura bush.
The ancient, crippled apple tree is
propped on crutches, a loyalist.
Hopvine, nightshade, half-wild cats,
the houses crowd the sidewalk, but
there is Boldon’s light, a stained glass window:
a beckoning cup, blue amber grail.
Against it the white budworm moths
flutter like cinders and beat the screen.


7. Loyalist Graveyard
Dust on the willows and raspberry briars,
and grey seed heads: angelica, milkweed,
virgin’s bower — a sort of fog. The plot
might once have been bare meadow. Elms,
drawing their darkness like a hood,
have closed it in till it seems hardly large enough,
only by accident not forgot. The past
gets smaller the less we remember it.
This is almost too small.


8. Odell Park
The rags of this year’s tartan come apart,
unroof the old farm’s gravel road. The sun,
slanting between the tree trunks, looks
like the last of the tourists. It touches us,
lightly, its hands already cold.
There will be frost.


9. Burning the Greens

From the post-Christmas pyre of trees
speckled with tinsel, a steam of snow
dampens the smell of starter fuel.
A missed gold ball wags sadly. Flame
reddens the wet face of a child
slumped on his father’s shoulders.
Soon the blaze
will send the old year toward the sun
we’ve not seen much of, lately. Dusk
happened at three. The bonfire’s through
by bedtime. Like one small, red eye,
Mars dogs pathetic Jupiter.


10. The Myth of a Small City
The myth of a small city where,
on a snowy night,
it doesn’t do to walk carelessly:

the walker behind you with lengthening tread
has raised his wooden hammer.

He is the clock of midnight, the bad turn
someone will do you, sometime.

By the wall, a shadow fidgets,
starts to run.


The Witch of the Inner Wood: collected long poems
by M. Travis Lane
Goose Lane Editions


Filed Under: #82 Winter 2016, Excerpts, Poetry Tagged With: Goose Lane Editions, M Travis Lane, New Brunswick, Poetry, The Witch of the Inner Wood

November 17, 2016 by Guyleigh Johnson

excerpt-expect-the-unexpected-guyleigh-johnsonFour Poems Excerpted from Guyleigh Johnson’s expect the unexpected: Voices from the North End

 

Pointing One Finger Three Point Back

Life’s lessons can sometimes be heartbreaking
To lose someone so close to home is life taking
Never mistaking the love you held for them
Just the sadness you hold on to
A shootout on his aunt’s step
Is where he took his last breath
A community lost for words
Shocked, saddened, and surprised
What hurt the most is to look into the kids’ eyes
Two young men driving
Struck by a drunk driver
And guess who was the survivor?
A fight in a basement
That ended up being a life misplacing
’Cause by the end of the night
Without right
Someone’s life was taken
This is just the beginning of the tragedies
To most of us a memory is all we have to carry
Bodies buried
Families grieving
And still we’re convinced the solution is leaving
A community lost
Elders confused
And children running wild


So many people sit back and talk about how they talk back, but did we
forget who taught that? Don’t forget we are a product of our producers.
If this generation is failing, it is because along the way somebody failed
us. Did you ever stop and think maybe we don’t need to be talked about,
but talked with?


Communication

As a community we need to communicate.

Nine times out of ten, people in the streets have more impact
on your children than you. Who a child spends the most time
with, they gain trust, respect, and admiration for. Everything
that person says and does is like gold to them, so just imagine
what it would be like if we had more people in the streets trying
to take you out of the streets rather than keep you there. The
only way to go is up, but if you have no one to show you, and
they had no one to show them, the only direction you’re all
going to go is down. Until someone comes along willing to help
you come up …


Trapped in Trouble

Locked in a cell boxed in
I can’t wait to be boxed out
Locked up I can’t wait to be locked out
A criminal to society a criminal in the system
Listen, they treat me no different
Same routine same block same cell
Imprisoned in prison they call this jail
I understand my mistakes and mishappenings
But ya’ll don’t understand what’s happening
In the streets you’re either street or you take heat
Better grab that heat
Or grab a seat
There’s no such thing as safety I grew up on Lahey
Where boys tried to play me daily
And when there’s nobody to teach you right all you know is wrong
Half of the boys I grew up with are dead and gone
Same thing in jail it’s like living in hell
Because there’s no one here to understand me
My situation or where I’m coming from
Only the inmates that are just like me
to find someone willing to do right is unlikely
If you don’t rehabilitate me in here,
how do you expect me to get out as a civilized citizen?
Let’s be real I came here not knowing who I really was;
in here I still didn’t find myself
I’m going back out there
only to become another person that I don’t even know
And you wonder why I can’t cope
in the end I’ll go back to selling dope
For the simple reason that for a young brother like me
Coming up going in and getting out
There’s just no hope


Lotus Flower

I am the significance to your heart
Never falling apart
I connect with your mind
With both combined
My soul bleeds your purity
My mind craves your growth
I emerge from the depths of dirt far from hurt
I bloom
Into a beauty unimaginable
Almost impossible flower
Though the soil I came from is in the slaying of a swamp
Still I rise, I rise
Into a soul that streams a great significance of spreading
Strength spiritually
The lotus flower I am
The dirty seed I used to be
Doesn’t define me
What defines me is the state I’m in after
Surviving the struggle
It’s not where you come from
It’s where you end up
Some of the ugliest places create the prettiest people from the inside out

expect the unexpected
by Guyleigh Johnson
Pottersfield Press

Filed Under: Excerpts, Poetry Tagged With: Dartmouth, Guyleigh Johnson, Nova Scotia, Poetry, Pottersfield Press, spoken word

December 8, 2015 by Rita Joe

The Blind Man's EyesWhen I Was Small

When I was small
I used to help my father
Coming home from the wood with
a bundle
Of maskwi, snawey, aqmoq,
My father would chip away,
Carving with a crooked knife,
Until a well-made handle appeared,
Ready to be sandpapered
By my brother.

When it was finished
We started another,
Sometimes working through the night
With me holding a lighted shaving
To light their way
When our kerosene lamp ran dry.

Then in the morning
My mother would be happy
That there would be food today
When my father sold our work.

I Lost My Talk

I lost my talk
The talk you took away.
When I was a little girl
At Shubenacadie school.

You snatched it away:
I speak like you
I think like you
I create like you
The scrambled ballad, about my word.

Two ways I talk
Both ways I say,
Your way is more powerful.

So gently I offer my hand and ask,
Let me find my talk
So I can teach you about me.

Learning the Language

Look at the busy rivers
Where water runs over the pebbles
As if to say, “Hello, how are you? I
am gone.”
Or a leaf on a maple tree
“Touch me but don’t hurt.”
You look but move on.
Lay on the grass
Mold your body to it, relaxing,
The spiritual in effect
And look at the sky,
The lazy roll of a cloud passing by
With pictures of dreams your
mind wills
The reward of nature,
Gives you high high.

Fragment

A light from a kerosene lamp,
The warmth from a wood stove
Very much like shadows from
my childhood
The days long past.

The Blind Man’s Eyes
by Rita Joe
$17.95, paperback, 140 pp.
Breton Books, 2015

Filed Under: #80 Winter 2015, Excerpts, Poetry Tagged With: Breton Books, Cape Breton, Mi'kma'ki, Poetry, Rita Joe, The Blind Man's Eyes

May 18, 2015 by Brenda Leifso

Barren the FuryPrologue

to the end of a dream
christened war.

you must decide when and
where waking
and story begin.

which lies
remain necessary. understand

from you we expect
truth.

Noah

Don’t mistake me for deliverance.
I have conjured no rainbows in my lifetime
I have not gathered elephants two by two
nor crows, lions, dogs nor bears.
I have forgotten how to count
have erased multiplication and purification
from memory. In my salt-soaked brain, I hold
only one. I.

On my raft – tall cedars joined with hair rope –
I I I do nothing but float. Bob for fish bellies, banana clumps,
a stray leg once in a while. Horrid, hideous – yes.
I I I’ve grown exhausted with myself,
with floods and the thousand shades
composing each hour of each endless day.
Everything comes to nothing
in the end.

I did try, at first.
Bread for the girls who ventured into the streets.
A dollar here, a dollar there to get a pregnant woman out
when there was still an out to get to.
But I am not a brave man.
God does not speak to me.

In every man’s life there comes a time
to pull the blinds,
lock the door.

The Beginning

That first spring, no ominous sign.
Crows squawked, continued
to eye the world. They carried their days
like cherry twigs. Rain washed the
blossoms along the gutters and all the earth moved
within softened veins, spilling into,
flushing out, salmon steering towards the sea.

My daughter, though, was born finless.

Eddies caught her – one by one caught all the stillborn daughters,
pinned them under water and rock:
we could not save them. Then the sun flared.

We gnawed our own skin, cut our leaking breasts.
We raged at doctors, who could not
explain.

Conception I

Listen.

Leave the cuttings on the counter,
the dish rag in the sink.
Go out from the city to a rain-dry plain.

Sit.

Your romances
do not matter now.
Think about consequence.

Barren the Fury
by Brenda Leifso
$20.00, paperback, 96 pp.
Pedlar Press, May 2015

Filed Under: Excerpts, Poetry Tagged With: Barren the Fury, Brenda Leifso, Newfoundland and Labrador, Pedlar Press, St. John's

March 5, 2015 by Shannon Webb-Campbell

Still No Word Shannon Webb-Campbell Breakwater Books

Harvest Your Heart

When you arrive at this loneliness write a letter to each lover and examine what was taken. Remind them with memories and pinpoint subtle ways they touched you. Recall the way they buttered your toast and spread your thighs.

Bring them to your tower, where you’ve been hiding since you left them, learning and unlearning, doing and undoing, covering and recovering. Cup your hands over their eyes and linger until anxiety turns to ease, familiarity.

You know the years have worn on them; they’ve worn on you, too.

Give them a moment to adjust, to take in the view. Ask them to bear witness to your shame, a transformation of pain, reclaimed.

Tell them of the centuries you’ve spent grieving. Give them, and yourself, mercy. Apologize before a harvest moon. Set right what can be set right and finally drop what you couldn’t let go of. Hold your own hand, and kiss your palms goodnight.

Love again, this stranger in you. Set a table for two and forget to blow out the candles before bed. Burn down the house and build anew.

 

Other Waves of Thought

these spirits of place
are ancient

you remember landscapes
landscapes
remember you

every view holds memory
all horizons meet the horizon within

quiet mind
quiet body
there is nothing more to this

from this shore to that
avoid rocks, bottom,
high winds and water
it calls lightning to its breast

these rituals
meditations of undoing
all of us breath

 

Tell Me Medicine Woman, Who do I Belong to?

once I was a fatherless daughter
now I come from a landless band
from west coast newfound land
where earth meets coast

I am an Irish-named river
born close to a mountain
married to the ocean
uncertain of my sense of place
now father’s last name echoes
on the wind

I am Qalipu Mi’kmaq
product of the Indian Act
he’s a man of few words
has never built a teepee
shingles suburban houses
only ladder touches ground

I try to sing to you
in Gaelic, English,
French and Mi’kmaw
but don’t know your languages

you were hunter, trapper
healer, and bootlegger
a midwife to seven hundred babies
around Bay of St. Georges

you travelled by dog team
horse, sled, and snowshoes
to expectant mothers
father says you were small,
only four feet tall

you bring gifts –
eagle feathers, rock, tree bark ‒
to remind me of a place
in the possibilities,
woman, you are mighty

Still No Word
by Shannon Webb-Campbell
$16.96, paperback, 96 pp.
Breakwater Books, March 2015

Filed Under: Excerpts, Poetry, Web exclusives Tagged With: Breakwater Books, Halifax, Nova Scotia, Poetry, Shannon Webb-Campbell, St. John's, Still No Word

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