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Graphic Novel

July 24, 2020 by Emma FitzGerald

Langosh and Peppi: Fugitive Days, Veronica Post’s debut graphic novel, begins in Budapest. The protagonist, Langosh, is the fugitive in question, a man on the run from possible imprisonment/deportation back to Canada, where he awaits punishment for minor crimes. His dog Peppi, and loyal friend Yeva, are depicted with warmth and humour, and give the sense that though his life is precarious, this is the place he considers to be home.  

One can’t help but think of another dog/traveller pair, Tin Tin and his dog Snowy, from the wildly popular comic series The Adventures of Tin Tin by Belgian cartoonist Hergé. Post shares Hergé clean drawing style, but instead of the bright, solid colours of Tin Tin, Post mostly uses pen with pale washes of grey. Occasionally pitch black is used to good effect, as the friends explore caves and a tunnel leftover from the country’s communist history.  

Equal care is given to the classical architecture found in the city’s esteemed bathhouses, as to its graffiti-scrawled rough edges while the two go about daily life on the run. Scenes unfold with a steady rhythm as drawings alternate between enclosed boxes and those left to breathe, while full spreads show both bucolic landscapes and the city’s touristic vistas.   

Langosh and Peppi manage to escape deportation one more time by crossing a border, discovering along the way that the countryside is not such a welcome place to visit. But on the return to the city, the Syrian refugee crisis has spilled into the country, with train stations and streets turned into tent cities overnight. Families are being separated and uncertainty is high.  

The relative freedom that Langosh has, in spite of his challenges, becomes apparent, fully coming into relief in the book’s final scene. 

This is a book for the times we live in, where the freedom to traverse global borders has come to be expected by many, but not experienced by even more. With a deft touch, humour and unflinching look at the issues she became familiar with while living in Hungary herself, Post has made a memorable addition to the graphic novel genre. 

Filed Under: # 91 Spring 2020, Editions, Graphic Novel, Reviews Tagged With: Conundrum Press, graphic novel, Illustrated, Langosh and Peppi, Veronica Post

October 11, 2019 by Susan MacLeod

Martin Peters
Patrick Allaby
Conundrum Press

With charmingly direct and simple drawings, Patrick Allaby leads us through a compelling true-life coming-of-age story that digs deep into the social life of teenager Martin Peters in Fredericton, beginning in 2009. 

If teenage life weren’t fraught enough, Martin’s is complicated by Type 1 diabetes. His parents are overly protective, having witnessed his father’s father suffer and die an early death from the disease. As a result, he’s a socially stunted kid. We meet him as he begins to stumble dumbly through a relationship of sorts with a new girl at school who shares his love of Pink Floyd. She takes the lead. Almost predictably, it descends from pleasantly awkward to nearly tragic, and there’s rejection of all kinds, of course. It’s high school.

Allaby’s genius lies in more than his facility with a pen. He’s a natural-born storyteller. 

Martin Peters is not just a tale of a painful adolescence complicated by a life-threatening condition. Allaby skillfully takes us out of the story on several occasions to vividly show his own struggle with diabetes and his awkward relationship with the real Martin Peters while involved in the creation of this story. He also invites the reader into the hard-slog process of developing a graphic memoir without making us feel in any way removed from the story arc. 

What I’ve always enjoyed about memoirs is that they’re like, well, life. Nothing is wrapped up neatly, but still, the recognition of reality is comforting, even if the reality itself is not. This is especially true with Martin Peters. I couldn’t stop reading it and landed comfortably at its conclusion with the rueful thought, “Yup, that makes sense.”

Martin Peters is an excellent addition to the canon of Graphic Medicine, a recent genre that mergers comic arts with health-care issues as an escape from system-speak and pityparties. It’s a genre that’s about showing it like it is, whatever “it” reveals about people, conditions, systems or simply living with a body and mind that suffers.

Like the best in this genre, Martin Peters tells a truth that honestly resonates on many levels.

—Susan MacLeod is a writer, visual artist and cartoonist.
Her work has appeared in
Lion’s Roar. 

Filed Under: # 90 Winter 2019, Graphic Novel, Non-fiction, Reviews Tagged With: Conundrum Press, Patrick Allaby

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